Wednesday, June 10, 2015

In Which I Introduce Team Maries and Share Some General Thoughts

The teams are set, and #TeamMaries is looking pretty great:

Clarissa Hadge and JETSTAR FIGHTER PILOT (#109)
Fataima Ahmad and THE SHAPE OF THE MANGO (#169)
Katelyn Larson and WHISPERMAGE (#29)
Kristin Reynolds and THE LAST PAPER DAHL (#69)
Maria Hebert-Leiter and REVELATION (#81)
Sarah Adair and THE DREADFUL GOOD (#67)
Triona Murphy and MONTANA GOLD (#140)
Wendy Daughdrill and TRUE NORTH (#159)

And last but not least, the other half of #TeamMaries, Anna-Marie McLemore, my brilliant guest coach!

That gives us two MGs (a fantasy and a contemporary), five YAs (a sci-fi, a fantasy, a historical, a mystery, and a romantic adventure), and one adult project (which is literary fiction). I always try to spread my teammates' entries out on the age/genre spectrum, but I was especially pleased with how this group turned out.

Before I go any further, a disclaimer: I'm not an agent, so I'm in no way an expert on queries, the market, or publishing in general. In other words, please take all these thoughts for what they are--my thoughts. These are just a few of the things I noticed as I whittled down my list:

1. A good comp title can signal that you know the market, but an overused one may do just the opposite. Quite a few of the YA fantasies in this batch compared themselves to GRACELING or THRONE OF GLASS, so it wasn't long before my eyes glazed over every time I spotted one of those titles. The best comps aren't so obscure as to be unheard of, but they probably also aren't the best-selling books in your genre.

2. It's really easy to sum up your characters or underscore your themes at the end of your query, but resist the temptation! If your summary's done its job, you won't have to tell agents what your story's really about. You might also want to avoid laundry lists of plot points. If we can't tell how the pieces will fit together, we probably won't care about them as much as you think we should.

3. I thought there was a ton of intriguing sci-fi in this bunch. That's not necessarily a bad thing, but it's good to be aware of what other people are writing so you predict how the market might shift.

4. I'm still leery of anything that smacks of dystopian. If your futuristic thriller mentioned a revolution, it probably didn't make it onto my lists. Which isn't to say futuristic thrillers can't sell-- they've just got to bring a new hook to the table. It seems like a rebellion should immediately raise the stakes, but because we've seen so many, they typically serve to LOWER a story's stakes. There are a thousand and one other ways to inject conflict into a plot, so at least for the time being, pick one of those. Seemingly small, deeply personal stakes can often end up being the biggest stakes of all.

5. There were quite a few entries I was really excited about--until I discovered that they'd been in three other contests. Overexposure is real--agents get ornery if they have to keep reading the same entries over and over--so picking and choosing your contests might be a good idea.

What stood out to you as you went through the entries?

Tuesday, June 9, 2015

Madcap Retreats' Winners

Without any ado, the e-winners of Natalie C. Parker's BEWARE THE WILD:

Paola B
Rosalyn

Congratulations, winners! Please e-mail me at kvandolzer(at)gmail(dot)com so I can pass your information along to Ms. Parker. And keep an eye on Madcap Retreats' Tumblr, since you're now entered to win the grand prize, a three-hundred-dollar discount on an upcoming workshop and a short stack of ARCs!

Wednesday, June 3, 2015

We Interrupt This Contest to Bring You a Word from Madcap Retreats

People like to ask me to plug their products on my blog: "We really think your readers will want to hear about our latest gadget, the three-in-one nose hair trimmer."

I really think it's safe to say you don't.

But when Natalie C. Parker e-mailed me about her latest venture, I immediately saw the benefit. I've never been on a writing retreat myself, but I've been on plenty of trips, and the hardest part is always finding time to do the research and coordinating all the plans. That's where Madcap Retreats come in, so without further ado, I'll turn the blog over to Natalie (who's sponsoring several giveaways in conjunction with the launch of her new business, so don't miss those details at the bottom!).


Nothing has changed my career so much as writing retreats. 

In the winter of 2011, I was invited to attend a large retreat in Branson, Missouri, at which there would be twenty-five established YA authors. I was unagented at the time and though I found the idea of joining such a gathering an intimidating one, I also found it was impossible to pass up. 

The experience was a game-changer. Not only did I meet a group of authors who were as encouraging as they were successful, but I sat in a room in which those same authors opened laptops and worked quietly together. There were headphones and tea and snack breaks and chat breaks and there were word documents that looked much like my own, growing one word at a time.

I left the Branson retreat with a new network of contacts who would guide my career in different ways, determined to repeat the experience as quickly as possible. Only this time I wanted to be the one issuing invites. One year later, that’s exactly what I did: I made my first retreat of eleven authors on the side of a mountain, in a house that also had a turret. 

Since that time, I’ve hosted one or two retreats every year, always with the goal of bringing authors together to create the kind of community we just can’t get in 140-character bites. I’ve hosted authors in turreted mansions in the Blue Ridge Mountains, in French Quarter apartments, in the Texas Hill Country, in historic Savannah townhomes, and in the sleepy Smoky Mountains. And here are the top three lessons I’ve learned from organizing retreats for writers:
  1. Internet. There must be Internet. It does not matter if you write to your group ahead of time and say the words “there is no Internet in this mountain chateau IS THAT OKAY?” It does not matter if they uniform answer is, “Yes, Natalie, we are not so addicted to the Modern Age that going without Wi-Fi for three days will kill us.” I promise you, none of that matters because when you get to the house someone will build an antenna out of aluminum foil and desperate tears and stand on the roof searching for a signal.
  2. Bathrooms. Never underestimate the importance of every bedroom having its own bathroom. End of explanation. 
  3. Scenery. You may begin the adventure with plans of leaving the house, but trust me, this will not happen. To appease any group of authors, I advise picture windows and something that suggests power and mystery. Mountains are an obvious choice, but lakes work very well as do abandoned sugar plantations, rolling hills, and oceans. This way, even if you get snowed in after throwing out all the perishable food so that all that remains are Oreos and a handle of gin, no one will ever complain about the view!
I love retreats. They’re fun and exciting and sometimes lead to creating things like Sh*t Writers Say. But I started this by saying that retreats have altered the course of my career in significant ways and that is absolutely true. 

After Branson in 2011, I had half a dozen authors willing to weigh in on my query and help me cull my agent list. 

After the Wi-Fi-less chateau in 2012, there were authors ready to blurb my first book.

After the Hill Country in 2013, I received crucial advice on how to develop a retreat business.

But more than that, I’ve seen anthologies born over the course of a retreat, I’ve seen mentor and critique relationships gain footing, and I’ve seen the direction of manuscripts shift dramatically and to great effect. And I know there’s even more I haven’t seen. 

Like so many writers, my writing time is bound and hedged in on all sides. My writing time is also my “down” time, my “free” time, my “in between this and that” time.” It’s a challenge to find hours that flow from one into another with nothing binding them except the promise of words. Madcap is one way I can offer time and opportunity to myself and to others, and I’m truly excited to be able to do that.

Madcap is for writers at any stage in their career--aspiring, agented, and published. My goal is to continue what was done for me at that first Branson retreat and create the kinds of opportunities it’s nearly impossible to create for yourself. Welcome to Madcap Retreats, join us for an adventure.

MADCAP RETREATS: Web | Twitter | Tumblr 

And now we come to the giveaway portion of this post!

I’ve asked a few amazing bloggers to help me spread the word of Madcap far and wide via a Blog Hop. Each participating blog will be giving away two e-copies of my debut novel Beware the Wild. And each of those winners will be entered to win one of two grand prizes! They are:
  • A $300 discount on the upcoming workshop--The Anatomy of Publishing: Story & Marketing, August 27 to 30. The workshop will be lead by Courtney C. Stevens and will feature a few fancy guest authors who will workshop pages and queries one-on-one! (More info can be found here). 
  • A short stack of ARCs including: JUBILEE MANOR by Bethany Hagen, DUMPLIN’ by Julie Murphy, and THE ANATOMY OF CURIOSITY by Maggie Stiefvater, Tessa Gratton, & Brenna Yovanoff.
The contest is open to US/Canada ONLY. You may enter via each blogger if that pleases you. Contest closes at midnight on Sunday, June 7. Winners will be announced by noon on Monday, June 8.

Additionally! If you’d like to stay up to date on all retreat and workshop offerings by Madcap, you can subscribe to the mailing list by visiting this page. The first fifty subscribers will be offered a free download of either:
Thanks, Natalie! To enter her giveaway, all you have to do is leave a comment below. That's it. I like to keep things simple. And definitely check out the giveaways on the other participating blogs:

Monday, June 1, 2015

Battles in "The Writer's Voice"

The coaches started leaving invitations on the entries this morning and may continue to do so through Tuesday, June 2. If you've already received an invitation, congratulations! If you haven't, there's still time.

If you receive more than one invitation by tomorrow evening, you'll need to decide which coach you want to work with by Wednesday morning and MAKE THAT ANNOUNCEMENT NO LATER THAN 10:00 A.M. EDT ON THE TWITTER HASHTAG (#THEWVOICE) OR IN THE COMMENTS OF YOUR POST.

Once the coaches know how many slots they need to fill, they'll use the rest of Wednesday to extend more invitations. Here again, if you receive more than one invitation by Wednesday evening, you'll need to decide which coach you want to work with by Thursday morning and make that announcement no later than 10:00 a.m. EDT on the Twitter hashtag (#TheWVoice) or in the comments of your post.

If the coaches still have slots to fill on Thursday morning, they'll use the rest of Thursday to extend more invitations. Since we'll need to wrap up the selection process as quickly as possible, any invitations extended on Thursday, June 4, will be final. (In other words, if one coach extends an invitation on Thursday, June 4, the other coaches may not extend an invitation to the same writer.)

Let the battles begin!

Thursday, May 21, 2015

"The Writer's Voice" Blogfest, 2015 Edition

#TheWVoice Blogfest is live! Over the next two weeks, the coaches will review your queries and first pages on the blogs listed below, and if one of the coaches wants you on her team, she’ll leave a comment on your post that says something like, “I want you!” (Please note that the coaches won’t post any comments until Monday, June 1, so don’t fret when you don’t get an instant “I want you!”) If more than one coach wants you, you’ll have to pick which coach you want to work with. (We’ll give you more instructions on this next week, depending on how things pan out…)

For more information, including a timeline of events and a list of this year’s participating agents, check out this post. In the meantime, feel free to hop around and play along with these not-quite-blind auditions!

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Wednesday, May 20, 2015

Now Accepting Entries for "The Writer's Voice" 2015

Welcome to #TheWVoice 2015! To enter, your manuscript must meet two conditions: First, it must be COMPLETE, POLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

MG fiction (all genres)
YA fiction (all genres)
NA fiction (all genres except erotica)
Adult genre fiction (excluding erotica)
Adult literary fiction (including women’s fiction but excluding erotica)
Adult commercial fiction (including women’s fiction but excluding erotica)

Also, YOU MUST HAVE A BLOG TO PARTICIPATE IN THIS CONTEST, as the coaches will be building their teams via #TheWVoice Blogfest (which starts tomorrow). You don’t have to have a blog at this moment to enter, but you will need to create one ASAP if you win a spot in the blogfest (which is what today’s Rafflecopter lottery will determine). 

For more information, including a timeline of events and a list of this year’s participating agents, check out this post. Then feel free to enter the Rafflecopter lottery anytime between now and 9:00 p.m. EDT!

We strongly recommend you enter the Rafflecopter lottery with your current e-mail address, NOT your Facebook account. Most people no longer use the e-mail addresses tied to those accounts, so if you use it to sign up, you probably won't get our notification e-mail if you make it into the blogfest. Also, we MUST be able to leave comments on your blog if you want us to pick you (and the easier it is to leave those comments, the better).

Tuesday, May 5, 2015

It's THE SOUND OF LIFE AND EVERYTHING Day!

After more than two years of working, waiting, and worrying, THE SOUND OF LIFE AND EVERYTHING makes its debut today. It's kind of a surreal feeling, and I'm still not quite sure what to make of it. I thought I'd feel more nervous or excited or something, but I don't think my brain's caught up with the idea that it's finished, that it's out in the world, that one of you might be reading it right now.

About THE SOUND OF LIFE AND EVERYTHING:

"Twelve-year-old Ella Mae Higbee is a sensible girl. She eats her vegetables and wants to be just like Sergeant Friday, her favorite character on Dragnet. So when her auntie Mildred starts spouting nonsense about a scientist who can bring her cousin Robby back to life, Ella Mae doesn’t believe her--until a boy steps out of the scientist’s pod and drips slime on the floor right before her eyes.

"But the boy is not Robby--he’s Japanese. And in California in the wake of World War II, the Japanese are still feared and mistreated. When Auntie Mildred refuses to take responsibility, Ella Mae convinces her mama to take the boy home with them. It’s clear that he’ll be kept like a prisoner in that lab, and she wants to help.

"Determined to do what’s right by her new friend, Ella Mae teaches him English and defends him from the reverend’s talk of H-E-double-toothpicks. But when the boy’s painful memories resurface, Ella Mae learns some surprising truths about her own family and, more importantly, what it means to love."


To learn more about the book and how I went about writing it, check out my interviews over at Literary Rambles (includes an international hardcover giveaway!), Butterflies of the Imagination, and That Artsy Reader Girl (also includes an international hardcover giveaway!). And here are a few snippets from what other folks are saying about THE SOUND OF LIFE AND EVERYTHING:

"Brimming with empathy, humor, forgiveness, and wisdom
about what it means to be truly, fully human"
--Tricia Springstubb, author of MOONPENNY ISLAND

"Ella Mae is a scrapper in the tradition of Harper Lee’s Scout"
--Publishers Weekly

"A remarkable effort that explores stereotypes, family, and friendships that transcend the 1950s"
--Booklist

"Perfect for classrooms and book clubs, as it definitely offers a lot of material for discussion"
--VOYA

"Recommended to fans of historical fiction who enjoy a mix of history and ethics"
--School Library Journal

I'll be hosting several giveaways over the next couple of months, but if you don't want to wait, feel free to buy yourself a copy (or request it at your local library!):


Thank you for sharing this amazing day with me!

Friday, May 1, 2015

Everything You Ever Wanted to Know About "The Writer's Voice" 2015

#TheWVoice
It's that time again! “The Writer’s Voice” is a multi-blog, multi-agent contest hosted by Brenda Drake, Mónica Bustamante Wagner, Elizabeth Briggs, and me. We’re basing it on NBC’s singing reality show The Voice, so the four of us will serve as coaches and select projects for our teams based on their queries and first pages.

Here’s the timeline:

May 20
May 21
Everybody enters the Rafflecopter lottery
The lottery winners sign up on the widget
May 21-June 4
We select our team members from “The Writer’s Voice” Blogfest
June 4-18
We coach our team members, helping them polish their entries
June 19
We post our team members’ entries on our blogs
June 23
Agents vote for their favorites

Submissions

To enter, your manuscript must meet two conditions: First, it must be COMPLETE, POLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

MG fiction (all genres)
YA fiction (all genres)
NA fiction (all genres except erotica)
Adult genre fiction (excluding erotica)
Adult literary fiction (including women’s fiction but excluding erotica)
Adult commercial fiction (including women’s fiction but excluding erotica)

In other words, we’re accepting pretty much everything this year--except erotica:)

To determine who gets to participate in the blogfest, we’ll hold a single-entry Rafflecopter lottery on Wednesday, May 20. The lottery will remain open for 12 hours, from 9:00 a.m. EDT to 9:00 p.m. EDT, at which point the Rafflecopter will select 200 random winners. Those winners will then sign up for the blogfest on one of Mister Linky’s Magical Widgets the next day, May 21. Once you sign up on the widget, you’ll post YOUR QUERY and THE FIRST 250 WORDS of your manuscript on your blog.

In summary, you must follow these three steps to enter:

1. Enter the Rafflecopter lottery on May 20 during the submission window listed above.
2. Sign up on the widget on May 21 if you win the lottery.
3. Post your query and the first 250 words of your manuscript on your blog.

Selections

We’re building our teams via “The Writer’s Voice” Blogfest, so YOU MUST HAVE A BLOG TO PARTICIPATE IN THIS CONTEST. We don’t care if you’ve had it for five years or five minutes; we just want to be able to fight over you in public:)

We coaches will review the entries and leave a comment on your post that says something like, “I want you!” If more than one of us wants you on her team, you’ll have to pick which coach you want to work with.

Coaching

We’ll select our 8 team members by June 4, then spend the next two weeks helping them put a final polish on their entries. You won’t have to take all of our suggestions, of course; we just want to help you make your entry the best that it can be before the agents get a look at it.

Each coach will have a guest coach to help her whip your entries into shape, and my guest coach will be the inimitable Anna-Marie McLemore. Anna-Marie's atmospheric THE WEIGHT OF FEATHERS, about two star-crossed teenagers from feuding performing families, comes out this September, and she's got mad revision skills that we're going to rely on.

Voting

On June 19, we’ll post our team members’ queries and first pages on our blogs so that the agents can review them. Here are the awesome agents who’ll be voting on your entries:


The agents will vote for their favorites on June 23. Each vote will count as a partial or full request depending on how many votes the entry receives. If an entry receives 1 or 2 votes, those votes will count as partial requests. If an entry receives 3 or more votes, those votes will count as full requests.

Voting will stay open until 9:00 a.m. EDT on June 24, at which point we’ll determine which coach’s team received the most votes. That coach will win bragging rights for time immemorial, and everyone who received requests will be able to submit their materials to all the agents who voted for them. These votes represent serious interest in your project, so PLEASE DON’T ACCEPT AN OFFER OF REPRESENTATION BEFORE GIVING “THE WRITER’S VOICE” AGENTS AN OPPORTUNITY TO MAKE A COMPETING OFFER.

So get those queries and first pages polished up, then meet us back here on Wednesday, May 20, between 9:00 a.m. and 9:00 p.m. EDT. We can’t wait to read your entries! (And of course, if you have any questions, feel free to ask them in the comments below.)