Thursday, April 13, 2023

One Thing I Enjoyed About EVERY Book I Finished in 2022: HarperCollins Edition

I said I'd come back and fill in these missing reviews once the HarperCollins strike ended, so here I am, a month or two late but hopefully no dollars short. I felt especially bad about omitting my reviews for Tiffany D. Jackson's titles, as I read both WHITE SMOKE and THE WEIGHT OF BLOOD last year and was blown away by both, so don't miss those ones below!

1. WHEN WE MAKE IT by Elisabet Velasquez I'd just started writing my first full-length novel-in-verse at this same time last year, so I picked this title up mostly for research purposes and got swept up in the story.

2. THE SEVENTH SUN by Lani Forbes Really vivid worldbuilding here (though I would have liked it even more if Ms. Forbes had differentiated her fantastical world from the Mesoamerican cultures she clearly drew from).

3. GREYTHORNE by Crystal Smith I really enjoyed Ms. Smith's debut, BLOODLEAF, and this sequel picked up right where the first book left off.

4. AN INCONVENIENT MINORITY by Kenny Xu This one really made me think. Though I didn't agree with all his points, they made me reevaluate my worldview as a human being of European, Asian, and Pacific Islander descent.

5. THE LITTLE BOOK THAT BEATS THE MARKET by Joel Greenblatt A quick, insightful read on stock market investing.

6. THE ONES WE'RE MEANT TO FIND by Joan He A beautiful and memorable YA dystopian.

7. THE YEAR OF SHADOWS by Claire Legrand Just the right amount of spookiness for an MG read.

8. LUCK OF THE TITANIC by Stacey Lee Ms. Lee's historicals are all lush and atmospheric, and this one was no exception.

9. SUGAR TOWN QUEENS by Malla Nunn Set in Durban, South Africa, this YA contemporary provided me a vivid peek into a culture that I previously didn't know much about.

10. BLACK WAS THE INK by Michelle Coles Told in alternating timelines, this YA novel combines a charged contemporary narrative with an in-depth look at the work of Black congressmen and aides during the Reconstruction era. Highly insightful and informative.

11. KNEEL by Candace Buford Football and social activism? Yes, please!

12. MANY POINTS OF ME by Caroline Gertler A poignant MG read about loss and grief. Bonus points awarded for the emphasis on art! 

13. THE TAMING OF THE DREW by Stephanie Kate Strohm Read and loved Ms. Strohm's LOVE A LA MODE a few years back and wanted to try another of her books. A fun summer read for all of you theater nerds (or for everyone who wishes they were a theater nerd!).

14. NIGHT MUSIC by Jenn Marie Thorne A lyrical YA contemporary romance featuring two musicians.

15. MAGIC UNLEASHED by Devri Walls An intense YA urban fantasy that takes place in two dimensions.

16. IN ANOTHER TIME by Jillian Cantor I'm a pushover for women's, historical, and speculative fiction, and IN ANOTHER TIME was a combination of all three. Read this one really quickly.

17. THE GIRL WHO FELL BENEATH THE SEA by Axie Oh A vivid retelling of a Korean folktale. One of my favorite reads this year.

18. AMARI AND THE NIGHT BROTHERS by B.B. Alston Harry Potter meets Men in Black, but with supernatural creatures. My thirteen-year-old and I both really enjoyed it.

19. THE UNSINKABLE GRETA JAMES by Jennifer E. Smith I'm a huge fan of Ms. Smith's YA contemporary romances, and this one held my interest, too.

20. I MUST BETRAY YOU by Ruta Sepetys A heartbreaking novel set during the Romanian Revolution of 1989. Beautifully written as always.

21. HEALING HEARTS by Sarah M. Eden A sweet historical romance between a Wild West doctor and the mail-order nurse he also thought would be his bride.

22. THE SPLENDOR by Breanna Shields I love it when a book's setting is so lush and well-developed that it feels like an extra character. The titular hotel in Ms. Shields's THE SPLENDOR is both these things and more.

23. THE SLOW MARCH OF LIGHT by Heather B. Moore A novelized account of an incredible true story. When an ordinary soldier agrees to become a spy in Cold War-era East Germany, he never dreams that he'll get caught--until he winds up in a Soviet prison.

24. ASHES ON THE MOOR by Sarah M. Eden Can you tell I've got a thing for sweet historical romances? :) This one is set in a small mill town in Victorian England.

25. FLIRTING WITH FATE by J.C. Cervantes A delightful YA contemporary romance with a dash of fantasy and a touch of genealogy.

26. THE RED PALACE by June Hur A YA historical mystery set in the capital city when Korea was still called Joseon. I could have read this in one sitting.

27. THE LADY AND THE HIGHWAYMAN by Sarah M. Eden Another sweet historical romance, and probably the best one I read last year. Elizabeth and Fletcher are wildly successful penny dreadful authors who end up dueling behind their pseudonyms while falling in love in real life.

28. THE GENTLEMAN AND THE THIEF by Sarah M. Eden A companion novel to THE LADY AND THE HIGHWAYMAN that features two new leads.

29. DEFY THE NIGHT by Brigid Kemmerer Loved the fractured and multifaceted relationships in this first book of a new YA fantasy series.

30. THROW LIKE A GIRL by Sarah Henning The book combined two of my favorite things: football and YA contemporary romance.

31. FAMILY OF LIARS by E. Lockhart Ms. Lockhart's prose never disappoints. If you liked WE WERE LIARS, you'll almost surely like this one, too.

32. HEARTBREAKERS AND FAKERS by Cameron Lund A quick, breezy summer read featuring a love rectangle and a pair of jilted exes who decide to start fake dating and inevitably fall in love.

33. THE MERCHANT AND THE ROGUE by Sarah M. Eden Another companion novel to THE LADY AND THE HIGHWAYMAN. I could read these all day!

34. HOLLOW FIRES by Samira Ahmed A heartbreaking but important read.

35. ENDURING FREEDOM by Jawad Arash and Trent Reedy An incredibly impactful story that's essentially a novelization of how the authors met in real life during the war in Afghanistan. I had the amazing opportunity to hear these two talk last summer, while Mr. Arash was still in the midst of fleeing his homeland after the United States withdrew and the Taliban took Kabul.

36. THE SILENCE OF BONES by June Hur Another YA historical mystery set in Korea when it was still called Joseon. The relationship between Seol and the police inspector she works for was particularly interesting.

37. TIPS FOR MAGICIANS by Celesta Rimington A bittersweet MG contemporary with a dash of fantasy and a healthy dose of hope.

38. THE FOREST OF STOLEN GIRLS by June Hur See THE RED PALACE and THE SILENCE OF BONES above. The setting in this one was especially atmospheric, and Ms. Hur clearly has a knack for coming up with titles.

39. I GUESS I LIVE HERE NOW by Claire Ahn I discovered k-dramas last year and must have been subconsciously drawn to other Korean stories because I randomly picked up a bunch at the library, too. I really enjoyed this book set in present-day Seoul.

40. KEEP YOU CLOSE by Karen Cleveland Found this one on clearance at my local grocery store! I don't read many adult thrillers, but this one kept me reading.

41. THOUGHTS & PRAYERS by Bryan Bliss Also found this one on clearance at my local grocery store! Tackling gun violence in a YA novel is a tall task, but Mr. Bliss took a unique approach by telling us what happened to three loosely connected survivors.

42. THE REVOLUTION THAT WASN'T: GameStop, Reddit, and the Fleecing of Small Investors by Spencer Jakab A most intriguing look at 2021's weird stock market machinations. Nonfiction usually takes me a few days longer to read, but I galloped through this book.

43. THE HISTORIAN by Elizabeth Kostova Very methodically paced, but as an homage to--and, in some respects, a continuation of--Bram Stoker's DRACULA, it was pretty much perfect.

44. YOU, ME, AND OUR HEARTSTRINGS by Melissa See Another YA contemporary romance featuring two musicians. I also appreciated the disabled representation.

45. THE ONE WHO LOVES YOU THE MOST by Medina I randomly picked up a handful of books last year featuring adopted MCs, but this was the only one written by an adopted author. As a fellow adoptee, I appreciated that.

46. THE OTHER SIDE OF PERFECT by Mariko Turk A YA contemporary about a rising ballerina who suffers a career-ending injury and auditions for her high school's musical to find new meaning in life. As a midlist author struggling to find her place, I related to Alina and the emotional journey she went on over the course of this book. One of my favorite reads last year.

47. THE HIKE TO HOME by Jess Rinker An engaging romp just off the Appalachian Trail to find a legendary castle. I think this is just the sort of vicarious adventure MG readers want to go on.

48. THE PAPER GIRL OF PARIS by Jordyn Taylor Told in alternating timelines, this YA novel combines a charming contemporary romance with a historical spy thriller. Both timelines ended up holding my attention (which is really hard to do!).

49. WHITE SMOKE by Tiffany D. Jackson I don't read a ton of horror, and the horror I do read is generally of the MG variety, so I started reading this with a fair amount of trepidation. I needn't have worried. Ms. Jackson nailed the tension and the escalating stakes without drifting into gore. I especially loved the twist!

50. SOLO by Kwame Alexander and Mary Rand Hess THE CROSSOVER will forever be one of my all-time favorite novels-in-verse, so I'll pick up just about anything Mr. Alexander writes, no questions asked. The fact that this novel-in-verse was about a young man on the hunt for his birth mom was a delightful surprise.

51. THE LOVE THAT SPLIT THE WORLD by Emily Henry This book is problematic from a representation standpoint, but it did hold my interest and compelled me to keep reading.

52. THE PRINCESS WILL SAVE YOU by Sarah Henning Another of my favorite reads last year. A gender-swapped Princess Bride? Yes, please!

53. KIKI KALLIRA BREAKS A KINGDOM by Sangu Mandanna MG fantasies based on Indian mythology are quite common these days, but I really liked how this one incorporated art.

54. THE QUEEN WILL BETRAY YOU by Sarah Henning The sequel to Ms. Henning's THE PRINCESS WILL SAVE YOU. If that one's concept reeled me in, this one's intricate worldbuilding and complex relationships kept me thoroughly hooked.

55. RIVALS by Katharine McGee The third installment in Ms. McGee's American Royals series. Am I aware these books are essentially soap operas? Absolutely, yes. Will that make me stop reading them? Absolutely not.

56. THE KING WILL KILL YOU by Sarah Henning A fitting conclusion to Ms. Henning's trilogy. Though the story did feel thinner (in all likelihood because Ms. Henning originally envisioned this as a duology), I was so wrapped up in the characters I couldn't have cared less:)

57. GALLANT by V.E. Schwab I'll always be a fan of Ms. Schwab's alluring prose, and though the pace of this book could be lovingly described as deliberate, I loved how much life she breathed into each of the book's settings.

58. THE HAWTHORNE LEGACY by Jennifer Lynn Barnes A fitting sequel to Ms. Barnes's THE INHERITANCE GAMES. Thank goodness Avery finally picks a boy in this one! :)

59. THE GIRL FROM EARTH'S END by Tara Dairman A sweet story about developing your talents to save a family member. I especially liked the lush fantastical world in which this novel was set.

60. THE WEIGHT OF BLOOD by Tiffany D. Jackson Saw this one at the library after reading WHITE SMOKE and immediately snatched it up. This book was creepy, heartbreaking, and incredibly brave. (And quite a bit bloodier than WHITE SMOKE, admittedly,  though I wouldn't say the descriptions were too graphic.) Maddy, the MC, turns out to be many things--including a mass murderer.

Would still love to hear your favorite reads and recommendations of 2022!

Tuesday, January 24, 2023

One Thing I Enjoyed About EVERY Book I Finished in 2022

Last year, I had a great time combing through my Goodreads list to come up with my top ten reads of 2021. This year, I decided to make a comprehensive list of one thing I enjoyed about EVERY book I finished in 2022. (Note that I've included every book I FINISHED, not necessarily every book I read. Sometimes I set books aside for one reason or another, which is such a subjective metric that I don't keep track of them.)

1. WHEN WE MAKE IT by Elisabet Velasquez I'd just started writing my first full-length novel-in-verse at this same time last year, so I picked this title up mostly for research purposes and got swept up in the story.

2. THE SEVENTH SUN by Lani Forbes Really vivid worldbuilding here (though I would have liked it even more if Ms. Forbes had differentiated her fantastical world from the Mesoamerican cultures she clearly drew from).

3. GREYTHORNE by Crystal Smith I really enjoyed Ms. Smith's debut, BLOODLEAF, and this sequel picked up right where the first book left off.

4. AN INCONVENIENT MINORITY by Kenny Xu This one really made me think. Though I didn't agree with all his points, they made me reevaluate my worldview as a human being of European, Asian, and Pacific Islander descent.

5. THE LITTLE BOOK THAT BEATS THE MARKET by Joel Greenblatt A quick, insightful read on stock market investing.

6. THE ONES WE'RE MEANT TO FIND by Joan He A beautiful and memorable YA dystopian.

7. THE YEAR OF SHADOWS by Claire Legrand Just the right amount of spookiness for an MG read.

8. LUCK OF THE TITANIC by Stacey Lee Ms. Lee's historicals are all lush and atmospheric, and this one was no exception.

9. SUGAR TOWN QUEENS by Malla Nunn Set in Durban, South Africa, this YA contemporary provided me a vivid peek into a culture that I previously didn't know much about.

10. BLACK WAS THE INK by Michelle Coles Told in alternating timelines, this YA novel combines a charged contemporary narrative with an in-depth look at the work of Black congressmen and aides during the Reconstruction era. Highly insightful and informative.

11. KNEEL by Candace Buford Withheld*

12. MANY POINTS OF ME by Caroline Gertler Withheld*

13. THE TAMING OF THE DREW by Stephanie Kate Strohm Read and loved Ms. Strohm's LOVE A LA MODE a few years back and wanted to try another of her books. A fun summer read for all of you theater nerds (or for everyone who wishes they were a theater nerd!).

14. NIGHT MUSIC by Jenn Marie Thorne A lyrical YA contemporary romance featuring two musicians.

15. MAGIC UNLEASHED by Devri Walls An intense YA urban fantasy that takes place in two dimensions.

16. IN ANOTHER TIME by Jillian Cantor Withheld*

17. THE GIRL WHO FELL BENEATH THE SEA by Axie Oh A vivid retelling of a Korean folktale. One of my favorite reads this year.

18. AMARI AND THE NIGHT BROTHERS by B.B. Alston Withheld*

19. THE UNSINKABLE GRETA JAMES by Jennifer E. Smith I'm a huge fan of Ms. Smith's YA contemporary romances, and this one held my interest, too.

20. I MUST BETRAY YOU by Ruta Sepetys A heartbreaking novel set during the Romanian Revolution of 1989. Beautifully written as always.

21. HEALING HEARTS by Sarah M. Eden A sweet historical romance between a Wild West doctor and the mail-order nurse he also thought would be his bride. 

22. THE SPLENDOR by Breanna Shields I love it when a book's setting is so lush and well-developed that it feels like an extra character. The titular hotel in Ms. Shields's THE SPLENDOR is both these things and more.

23. THE SLOW MARCH OF LIGHT by Heather B. Moore A novelized account of an incredible true story. When an ordinary soldier agrees to become a spy in Cold War-era East Germany, he never dreams that he'll get caught--until he winds up in a Soviet prison.

24. ASHES ON THE MOOR by Sarah M. Eden Can you tell I've got a thing for sweet historical romances? :) This one is set in a small mill town in Victorian England.

25. FLIRTING WITH FATE by J.C. Cervantes A delightful YA contemporary romance with a dash of fantasy and a touch of genealogy.

26. THE RED PALACE by June Hur A YA historical mystery set in the capital city when Korea was still called Joseon. I could have read this in one sitting.

27. THE LADY AND THE HIGHWAYMAN by Sarah M. Eden Another sweet historical romance, and probably the best one I read last year. Elizabeth and Fletcher are wildly successful penny dreadful authors who end up dueling behind their pseudonyms while falling in love in real life.

28. THE GENTLEMAN AND THE THIEF by Sarah M. Eden A companion novel to THE LADY AND THE HIGHWAYMAN that features two new leads.

29. DEFY THE NIGHT by Brigid Kemmerer Loved the fractured and multifaceted relationships in this first book of a new YA fantasy series.

30. THROW LIKE A GIRL by Sarah Henning The book combined two of my favorite things: football and YA contemporary romance.

31. FAMILY OF LIARS by E. Lockhart Ms. Lockhart's prose never disappoints. If you liked WE WERE LIARS, you'll almost surely like this one, too.

32. HEARTBREAKERS AND FAKERS by Cameron Lund A quick, breezy summer read featuring a love rectangle and a pair of jilted exes who decide to start fake dating and inevitably fall in love.

33. THE MERCHANT AND THE ROGUE by Sarah M. Eden Another companion novel to THE LADY AND THE HIGHWAYMAN. I could read these all day!

34. HOLLOW FIRES by Samira Ahmed A heartbreaking but important read.

35. ENDURING FREEDOM by Jawad Arash and Trent Reedy An incredibly impactful story that's essentially a novelization of how the authors met in real life during the war in Afghanistan. I had the amazing opportunity to hear these two talk last summer, while Mr. Arash was still in the midst of fleeing his homeland after the United States withdrew and the Taliban took Kabul.

36. THE SILENCE OF BONES by June Hur Another YA historical mystery set in Korea when it was still called Joseon. The relationship between Seol and the police inspector she works for was particularly interesting.

37. TIPS FOR MAGICIANS by Celesta Rimington A bittersweet MG contemporary with a dash of fantasy and a healthy dose of hope.

38. THE FOREST OF STOLEN GIRLS by June Hur See THE RED PALACE and THE SILENCE OF BONES above. The setting in this one was especially atmospheric, and Ms. Hur clearly has a knack for coming up with titles.

39. I GUESS I LIVE HERE NOW by Claire Ahn I discovered k-dramas last year and must have been subconsciously drawn to other Korean stories because I randomly picked up a bunch at the library, too. I really enjoyed this book set in present-day Seoul. 

40. KEEP YOU CLOSE by Karen Cleveland Found this one on clearance at my local grocery store! I don't read many adult thrillers, but this one kept me reading.

41. THOUGHTS & PRAYERS by Bryan Bliss Withheld*

42. THE REVOLUTION THAT WASN'T: GameStop, Reddit, and the Fleecing of Small Investors by Spencer Jakab A most intriguing look at 2021's weird stock market machinations. Nonfiction usually takes me a few days longer to read, but I galloped through this book.

43. THE HISTORIAN by Elizabeth Kostova Very methodically paced, but as an homage to--and, in some respects, a continuation of--Bram Stoker's DRACULA, it was pretty much perfect.

44. YOU, ME, AND OUR HEARTSTRINGS by Melissa See Another YA contemporary romance featuring two musicians. I also appreciated the disabled representation.

45. THE ONE WHO LOVES YOU THE MOST by Medina I randomly picked up a handful of books last year featuring adopted MCs, but this was the only one written by an adopted author. As a fellow adoptee, I appreciated that.

46. THE OTHER SIDE OF PERFECT by Mariko Turk A YA contemporary about a rising ballerina who suffers a career-ending injury and auditions for her high school's musical to find new meaning in life. As a midlist author struggling to find her place, I related to Alina and the emotional journey she went on over the course of this book. One of my favorite reads last year.

47. THE HIKE TO HOME by Jess Rinker An engaging romp just off the Appalachian Trail to find a legendary castle. I think this is just the sort of vicarious adventure MG readers want to go on.

48. THE PAPER GIRL OF PARIS by Jordyn Taylor Withheld*

49. WHITE SMOKE by Tiffany D. Jackson Withheld*

50. SOLO by Kwame Alexander and Mary Rand Hess Withheld*

51. THE LOVE THAT SPLIT THE WORLD by Emily Henry This book is problematic from a representation standpoint, but it did hold my interest and compelled me to keep reading.

52. THE PRINCESS WILL SAVE YOU by Sarah Henning Another of my favorite reads last year. A gender-swapped Princess Bride? Yes, please!

53. KIKI KALLIRA BREAKS A KINGDOM by Sangu Mandanna MG fantasies based on Indian mythology are quite common these days, but I really liked how this one incorporated art. 

54. THE QUEEN WILL BETRAY YOU by Sarah Henning The sequel to Ms. Henning's THE PRINCESS WILL SAVE YOU. If that one's concept reeled me in, this one's intricate worldbuilding and complex relationships kept me thoroughly hooked.

55. RIVALS by Katharine McGee The third installment in Ms. McGee's American Royals series. Am I aware these books are essentially soap operas? Absolutely, yes. Will that make me stop reading them? Absolutely not.

56. THE KING WILL KILL YOU by Sarah Henning A fitting conclusion to Ms. Henning's trilogy. Though the story did feel thinner (in all likelihood because Ms. Henning originally envisioned this as a duology), I was so wrapped up in the characters I couldn't have cared less:)  

57. GALLANT by V.E. Schwab Withheld*

58. THE HAWTHORNE LEGACY by Jennifer Lynn Barnes A fitting sequel to Ms. Barnes's THE INHERITANCE GAMES. Thank goodness Avery finally picks a boy in this one! :)

59. THE GIRL FROM EARTH'S END by Tara Dairman A sweet story about developing your talents to save a family member. I especially liked the lush fantastical world in which this novel was set.

60. THE WEIGHT OF BLOOD by Tiffany D. Jackson Withheld*

And that's my list! Which ones did I miss? Would love to hear your favorite reads and recommendations of 2022!

*I'm withholding my reviews of all HarperCollins titles in accordance with the wishes of their striking union members, but only if those books were HarperCollins properties at the time that they were published. When management starts negotiating and everyone goes back to work, I'll try to remember to come back and fill in these missing reviews.

Friday, October 21, 2022

#PitchMe 2022 Results and Wrap-up

Another #PitchMe's come and gone, and I'm delightfully worn out. #PitchMe pitches racked up 72 likes earlier this week from our agents and editors (and several pitches scored 3 additional likes from an outside agent and editor, too)! Here's a breakdown of the action:

#2 PB: MY BA'S AMBODO Kaitlyn Leann Sanchez, Jennifer Herrington, Michael Carr, Elisa Houot
#3 PB: SOUR DOUGH Jennifer Herrington
#5 PB: WHISPER TO THE WORRY STONES Jennifer Herrington, Lindsay Auld, Stefanie Molina, Kristin Ostby, Cherrita Lee
#7 PB: QUOKKA CAN'T FROWN Jennifer Herrington, Stefanie Molina, Cherrita Lee
#8 MG: KONRAD BLOOM AND THE REJECTS OF TECH-E ACADEMY Kaitlyn Leann Sanchez, Lindsay Auld, Alison Weiss
#9 MG: A RECIPE FOR DISASTER Elizabeth Bewley, Alex Aceves, Lindsay Auld, Lisa Mangum
#10 MG: MAIRA AND THE RAINBOW CITY Elizabeth Bewley, Lindsay Auld, Lisa Mangum
#11 MG: NEWTON'S NOVELTIES Jennifer Herrington, Jon Cobb, Lindsay Auld, Shari Maurer
#14 MG: MURDER AASAN Jennifer Herrington, Jon Cobb, Lindsay Auld, Michael Carr, Kristin Ostby, Savannah Brooks (plus Kristie Choi)
#15 YA: THE EXTRAORDINARY LIFE OF A FLOWER Alex Aceves, Stefanie Molina, Lisa Mangum, Savannah Brooks
#17 YA: ONCE UPON A ROAD TRIP Jennifer Herrington, Elizabeth Bewley, Alex Aceves, Elisa Houot
#18 YA: BEAUTY TO ASHES Elizabeth Bewley, Alex Aceves, Michael Carr, Kristin Ostby, Elisa Houot, Lindsay Auld, Ali Lake
#21 YA: THE WONDER BENEATH Elizabeth Bewley, Alex Aceves, Michael Carr, Kristin Ostby
#22 YA: A MAJOR IN DROWNING Jennifer Herrington, Elizabeth Bewley, Lindsay Auld, Shari Maurer, Kristin Ostby, Jon Cobb (plus Michelle Z. Jackson)
#27 A: AT THE END OF TIME Kaitlyn Leann Sanchez, Elizabeth Bewley, Jen Nadol, Kristin Ostby, Lisa Mangum (plus Michelle Z. Jackson)
#29 A: THE SOMEDAY GAME Kaitlyn Leann Sanchez, Jen Nadol, Julie Crisp

In addition, one of our PBs came to the agent round with an offer on the table!

Also, I just want to say that, if you didn't get a like--or even if you didn't get picked as a finalist--I still believe in you, and I hope you believe in you, too. The only trait every published author has in common is persistence, so keep bashing your head against that brick wall until it comes crumbling down.

Last but certainly not least, THANK YOU. Whether you were an agent, an editor, an entrant, or a finalist, I couldn't have done this without you. And I REALLY couldn't have done this without PB partner-in-crime Tara Shiroff. Thanks again for all your insights and boundless enthusiasm.

Until next year!

Tuesday, September 20, 2022

This Year's #PitchMe Finalists

 Without any ado, here are the #PitchMe finalists* in no particular order:

PB

A.W.'s THE PICKLE INCIDENT
A.W.'s WORRY STONES (a different A.W., I promise!)
R.J.'s QUOKKA CAN'T FROWN
R.M.K's HEADLINE FROM THE HEIGHTS
K.R.'s I'M NOT A CINNAMON ROLL
K.P.'s MY BA'S AMBODO
S.K.R.'s SOUR DOUGH

(Also, it's worth mentioning that Tara reads these entries blind so her opinions are unbiased!)

MG

T.M.'s A RECIPE FOR DISASTER (contemporary)
C.L.'s MAIRA AND THE RAINBOW CITY (fantasy)
A.M.'s ARDEN WOOD AND THE MAGICAL MUSICAL (contemporary fantasy)
C.D.'s KONRAD BLOOM AND THE REJECTS OF TECH-E ACADEMY (sci-fi mystery)
S.P.'s MURDER AASAN (fantasy mystery)
J.K.'s NEWTON'S NOVELTIES (sci-fi)
D.A.'s THE TRINITY KNOT (historical)

YA

P.C.H.'s ONCE UPON A ROAD TRIP (romantic comedy)
K.N.'s DANCING WITH THE ALL-STARS (contemporary romance)
J.W.'s MY NAME IS MARY READ (historical)
K.B.'s SONG FOR LOST SOULS (fantasy)
A.T.'s THE EXTRAORDINARY LIFE OF A FLOWER (contemporary)
E.C.'s A MAJOR IN DROWNING (speculative mystery)
K.O.'s BEAUTY TO ASHES (horror)
I.L.C.'s THE WONDER BENEATH (fantasy)

Adult

P.T.Z.'s DARK RUN (thriller)
M.F.'s PROMISE THEM A STORM (fantasy)
D.B.'s DREAM MACHINE (sci-fi)
M.P.'s THE WIZARD'S CORPSE (fantasy mystery)
E.K.'s FINDING THE MUGWORT GIRLS (cozy mystery)
R.M.'s THE SOMEDAY GAME (speculative romance)
S.L.'s AT THE END OF TIME (literary fantasy)
E.J.C.'s TOPSIDERS (sci-fi)

Congratulations, finalists! I really can't wait to dig in and help you make these awesome projects just a little awesomer.

If your submission wasn't chosen, thank you so much for submitting, and please, please, please don't give up. I took notes on every entry and wrote down something positive about every single one (and usually a suggestion, too). If you don't find an agent between now and October 20 and would like to hear my thoughts on your pitch, query, and first page, you're more than welcome to respond to your original submission with a request for that feedback. I only ask that you hold off until Thursday, October 20, the day AFTER the agent round, so I can spend these next few weeks reviewing the finalists' work.

*As I alluded to yesterday, the allocation of the wildcards is simply a reflection of what the agents who agreed to participate in #PitchMe are looking for right now. Of the 14 agents who signed up, 4 are looking for PB, 10 are looking for MG, 12 are looking for YA, and 10 are looking for adult. (The lurking editors are only on the hunt for kidlit, from PB to YA.)

Monday, September 19, 2022

Thoughts on This Year's #PitchMe Entries

I've now read every entry, and once again, you guys didn't make it easy on me! Multiple times, I added six or seven entries in a row to the longlist I was building, which made me keep wondering how I'd ever trim it down. As we make our final choices, here's a little food for thought:

Overall Impressions

  • Longtime agent Donald Maass has written multiple books about writing breakout novels, but writing break-IN novels--and especially PBs--is probably even harder. Established authors can write to trends and cover previously trod ground because they have relationships with agents and editors--and because those agents and editors know that their names alone sell books. For emerging authors, though, a PB about a dog or a YA about a boarding school may not generate interest.
  • Most queries ended with the Query Shark-approved "Thank you for your time and consideration," but many also added something along the lines of "I look forward to hearing from you." I brought this up last year, and I'm bringing it up again because I firmly believe queries shouldn't include this line. It can sound passive-aggressive if an agent has established a no-response-means-no policy, which is never a great look. Save this line for when you send agents requested material (because I firmly believe agents owe writers responses once they've requested your work).
  • It felt like roughly half of the novel-length entries were contemporaries while the other half were fantasies. This isn't good or bad--it's simply what the breakdown was--but if you're querying a manuscript in one of these two genres, you may be giving yourself a lot of extra competition.
  • More than one query admitted that this project was the first thing its author had ever written. Don't tell agents this upfront! The first thing most writers write is destined for the deep, dark drawer where people keep their old retainers and junior high-era school pictures, so don't make it easier for someone to reject your work.
  • And on a related note, you almost certainly don't need to tell agents that this manuscript would be your debut. If you don't mention other books that you've previously published, agents will assume it will be:)

PB Notes

  • There were 142 submissions (!) within this category (one less than I reported a couple of weeks ago, as I found a duplicate).
  • Far too many of these entries failed to credit illustrators of the comp titles they used. If there's one thing I've learned from Tara, it's ALWAYS CREDIT ILLUSTRATORS! They put the picture in PBs:)
  • I also thought some of the bios in these entries were too long. (And this wasn't just confined to the picture books, mind you; it just seemed to be an issue among more of these entries.) Unless your name is Stephen King, your bio paragraph should be the shortest one in your query--and if your name IS Stephen King, your reputation precedes you. Definitely tell us if you have any other published books, any lived experience with what your book is about, or an exceptional platform. (Hint: I don't think my platform is exceptional enough to mention in the body of a query, though I always include links to my blog, Twitter, etc., in my signature block.) Above all, keep it short and sweet.
  • A handful of these entries didn't mention their word counts, which made it really difficult to evaluate their marketability (especially in the context of this contest, as we may not have allowed you to send the full manuscript). If you want to give your picture book the best possible chance, keep your word count under 500. Nonfiction PBs have a lot more latitude--agents wouldn't bat an eye at anything under 1,000--but 500 words is a pretty firm ceiling in the current fiction market. 

I'll let Tara have the last word on the PBs: "Comp titles do not have to be about the same topic as your own book, i.e. TIGERS ARE AWESOME does not have to comp to TIGERS ARE CUTE, TIGERS ARE ORANGE, and TIGERS ARE TERRIFYING. You can comp to any book that has a similar theme to your story (friendship! forgiveness! kindness!) or the type of story (lyrical, humorous), but you don't need to strictly stick to the exact topic of your book.

"Please ensure your story is a story 'that's yours to tell.' I saw several PBs about neurodiversity where that was not the author's own background and some about disability because it was 'about my friend with a disability.' We need to leave room in the marketplace for stories from authors who have lived these experiences (neurodiversity, disability, etc.) themselves."


MG Notes

  • There were 46 submissions within this category.
  • There were also lots of fairies. And stories that revolved around the current climate crisis. There's nothing wrong with fairies or the climate crisis, right (or at least there's nothing wrong with centering a book around them!), but in this batch of MG queries, those plot elements stood out.

YA Notes

  • There were 49 submissions within this category.
  • I noticed lots of missions to avenge dead/missing parents in this batch of YA queries. (And when I say "lots," of course, I really mean, like, four or five, which isn't many in the end, but that plot point did stand out.) Same note as above: missions to avenge dead parents aren't dealbreakers on their own, but they may have made it harder for an entry to stand out.

Adult Notes

  • There were 46 submissions within this category, which is actually one more than I told you two weeks ago. (Clearly, my counting skills need work...)
  • This year, I tried to focus on the writing, writing, writing. I mean, I try to focus on the writing every year, but in the past, I've gotten wooed by super marketable concepts and kind of let the writing slide. This year, I said, "No more!" so if I didn't think the writing was ready for prime time, I forced myself to pass on super great ideas.

Lastly, I wanted to add that the nature of this contest creates some artificial issues that straight querying doesn't. Every agent who agreed to participate last year was looking for MG while significantly fewer were looking for adult. Conversely, almost every agent who's participating this year is looking for YA while significantly fewer are looking for PB. Since we want to feature projects that best match the agents' tastes, we have to choose fewer PBs than we otherwise would based on the number of entries (just like I had to choose fewer adults than I otherwise would have last year).

Finalists announced TOMORROW instead of on Wednesday!

Wednesday, September 7, 2022

Second Submission Window for #PitchMe 2022 Now Open

Update: And that's a wrap! We ended up with 143 PBs, 46 MGs, 49 YAs, and 45 adults for a total of 283 entries. Finalists will be announced on Wednesday, September 21!

Welcome to #PitchMe 2022! To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction* (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

*I’ve asked PB author and two-time #TacoPitch winner Tara Shiroff to help me again!

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 7, at 11:00 a.m. EDT and closes at 11:30 a.m. EDT. The second submission window opens later that same day, Wednesday, September 7, at 11:00 p.m. EDT and closes at 11:30 p.m. EDT. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

For more information, including a timeline of events and a list of participating agents, check out this post. We can't wait to read your work!

First Submission Window for #PitchMe 2022 Now Open

UPDATE: The first submission window is now closed, but the second submission window will open at 11:00 p.m. EDT tonight. For your information, we've received 88 PBs, 26 MGs, 33 YAs, and 31 adults so far!

Welcome to #PitchMe 2022! To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction* (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

*I’ve asked PB author and two-time #TacoPitch winner Tara Shiroff to help me again!

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 7, at 11:00 a.m. EDT and closes at 11:30 a.m. EDT. The second submission window opens later that same day, Wednesday, September 7, at 11:00 p.m. EDT and closes at 11:30 p.m. EDT. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

For more information, including a timeline of events and a list of participating agents, check out this post. We can't wait to read your work!

Wednesday, August 17, 2022

Everything You Ever Wanted to Know About #PitchMe 2022

#PitchMe is back, and I couldn't be more thrilled. If you take what I love most about multi-agent query contests--mentoring great writers at wherever they happen to be on their publishing journey--and mash it up with a pitch fest, then you've basically got #PitchMe. Are you interested? Read on!

Here’s the timeline:

September 7: The submission windows open
September 21: Selected submissions announced
September 21-October 18: Mentoring takes place
October 19: Revised Twitter pitches posted; agents (and editors!) like their favorites

Submissions

To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction* (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

*I’ve asked PB author and two-time #TacoPitch winner Tara Shiroff to help me again!

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 7, at 11:00 a.m. EDT and closes at 11:30 a.m. EDT. The second submission window opens later that same day, Wednesday, September 7, at 11:00 p.m. EDT and closes at 11:30 p.m. EDT. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

Selections

I'll select 6 entries within each major category--PB, MG, YA, and adult--and up to 6 wildcards. I may pick 6 adults or 3 YAs and 3 MGs or just a single PB; it depends on what I know the agents are looking for and which submissions seem strongest.

Once I've finalized my picks--with Tara’s help, of course--I'll e-mail the winning writers and announce the winning titles here and/or on my Twitter feed on Wednesday, September 21. Then the real work will begin!

Mentoring

For the next roughly 4 weeks, the winning writers will revise their pitches, queries, and first pages with my and Tara’s help. You won’t be obligated to incorporate our thoughts, and the feedback we provide on your queries and first pages won’t actually be featured in the agent round itself. We just want to help you make your pitches, queries, and first pages the very best that they can be.

Liking

On Wednesday, October 19, I'll post the revised pitches ON MY TWITTER FEED for the agents (and editors!) to review. Here are the awesome agents who’ll be liking your pitches:

Aida Z. Lilly of KT Literary
Ali Lake of Janklow & Nesbit Associates

Each like will count as a partial or full request based on the agents’ preferences. Agents will be able to review and like your pitches for a full 24 hours, at which point you’ll be allowed to submit your materials to all the agents who requested them. These likes represent serious interest in your project, so PLEASE DON’T ACCEPT AN OFFER OF REPRESENTATION BEFORE GIVING THE #PITCHME AGENTS AN OPPORTUNITY TO MAKE A COMPETING OFFER.

I've also enlisted the aid of some lurking editors. Their likes will also represent requests, BUT EVEN IF THEIR PUBLISHERS ALLOW YOU TO SUBMIT WITHOUT AN AGENT, I STRONGLY RECOMMEND THAT YOU WAIT UNTIL YOU SECURE REPRESENTATION. A smart, savvy agent is worth their weight in gold, and I'm hopeful agents will be even more interested in your project if they know you've got an editor request (or two!) in your back pocket.


So get those pitches polished up and plan to e-mail them to me--with your queries and first pages--on Wednesday, September 7, at 11:00 a.m. or 11:00 p.m. EDT. We can’t wait to read your work!

Have a question? Ask below!