Saturday, January 18, 2025

My Annotated 2024 Reading List

What follows is a list of EVERY book I finished in 2024 (or at least every book I logged on Goodreads; I've been known to miss a couple), along with a note or two.

1. A TRAITOR IN WHITEHALL by Julia Kelly As this reading list will soon reveal, I'm kind of a sucker for a World War II historical of any shape or texture, so it should come as no surprise that I snatched this one up as soon as I saw it. Is the second one out yet?! (Yes, friends, it turns out that it is.)

2. WHAT THE RIVER KNOWS by Isabel Ibanez A lush historical with a healthy smattering of fantasy, adventure, and romance. This is just the sort of book that seems to be selling like hotcakes right now.

3. THE CODE FOR LOVE AND HEARTBREAK by Jillian Cantor A fun YA contemporary from the author of IN ANOTHER TIME. I totally related to the socially awkward MC.

4. ALL MY RAGE by Sabaa Tahir I'm a few years late on this one, but I thought this book deserved every accolade it got.

5. LOVE AND GELATO by Jenna Evans Welch A charming YA contemporary romance set in the hills of Tuscany, this is the perfect book to get lost in if you need a break from real life.

6. AN IMPROBABLE SEASON by Rosalyn Eves I love historical romances, adult or YA (as long as they're not too spicy), but I also liked how this one included additional plot lines unrelated to romance.

7. THE ECHO OF OLD BOOKS by Barbara Davis I think I remember this one, but because I read so many World War II historicals, I may be remembering another book. Either way, reading the summary again made me want to read this book again, so I think you should, too:)

8. THE OTHER MOTHERS by Katherine Faulkner This domestic thriller walks the line between thriller and mystery, in part because the ending, though ridiculously intense, reminded me a bit of one of Agatha Christie's classics. (I'm not going to tell you which one so as to not spoil it!)

9. THE NEW COUPLE by Alison James Another taut domestic thriller that kept me turning pages until the very end. Maybe I just haven't read enough of these books yet, but I didn't see the climax coming.

10. REIGN by Katharine McGee To be honest, I remember the climax of book three better than most of this book four. Still, I've loved, loved, loved this series and am sad to see it end.

11. THE SPY AND I by Tiana Smith This romantic suspense is heavier on romance than suspense, so if that's your cup of tea, definitely give this one a try.

12. HAS ANYONE SEEN CHARLOTTE SALTER? by Nicci French As you're probably realizing, I got on a bit of an adult fiction kick this year, and this atmospheric mystery was a fine addition to the list.

13. THE DO-OVER by Suzanne Park I really enjoyed this rom-com, especially the absurdity of the setup. When a high-powered thirty-something misplaces her college diploma and calls her alma mater to replace it, she finds out she was actually a few credits short of earning her degree. Shenanigans ensue when she returns to college and reunites with her college sweetheart, who's still slaving away at his dissertation.

14. THE BROTHERS HAWTHORNE by Jennifer Lynn Barnes I thought this book read like two novellas squished together. It's basically a bridge book between the original Inheritance Games series and its spinoff (see below).

15. I HAVE SOME QUESTIONS FOR YOU by Rebecca Makkai I read this one really quickly. I've noticed that a lot of mysteries use an unsolved murder in the past to drive the present mystery's plot, and I appreciated that the MC in this one was a principal player in both timelines.

16. THE LOST BOOK OF BONN by Brianna Labuskes After World War II, the Allies apparently brought in truckloads of researchers and archivists to get all of Europe's misplaced books (read: all the books the Nazis stole) back where they belonged. This story follows one such woman, who gets hung up on returning a book with a poignant inscription.

17. THE TURTLE HOUSE by Amanda Churchill A deliberately paced historical that spans the lifetime of a Japanese woman whose life was upended by World War II in more ways than one. I'm a sucker for World War II historicals, as this reading list proves, but this one stood out to me. I thought it was really lovely.

18. EVERYONE WANTS TO KNOW by Kelly Loy Gilbert Ms. Gilbert is a master of interweaving social commentary with compulsively readable plots, and this book was no different. It had a lot to say about the effects of influencer culture on the influencers themselves.

19. HOW TO SOLVE YOUR OWN MURDER by Kristen Perrin A fun murder mystery--insofar as any murder mystery can be fun--about a woman who anticipates her own murder and sets her great-niece up to solve it. It doesn't seem like this concept should work, but I thought it absolutely did.

20. I WILL SHOW YOU HOW IT WAS: The Story of Wartime Kyiv by Illia Ponomarenko A most insightful glimpse into the first couple of months of the Russia-Ukraine war from the perspective of a native Ukrainian.

21. THE WOMAN WITH NO NAME by Audrey Blake A novelized account of the World War II exploits of Great Britain's first female saboteur. Though the book is literally called THE WOMAN WITH NO NAME, Yvonne Rudellat deserves to be remembered.

22. THE FIVE YEAR LIE by Sarina Bowen When the love of her life disappears without contacting anyone, Ariel is understandably heartbroken. Five years later, she's recovered enough to get on with her life, if only for her son's sake, when she receives a cryptic text from her old boyfriend that sends her down an increasingly dangerous path. I liked this one quite a lot!

23. MURDER YOUR EMPLOYER by Rupert Holmes This one also sort of read like three novellas squished together, but the prose was so delightful--and the concept so disturbing--that I didn't even mind.

24. SONG OF THE SIX REALMS by Judy I. Lin The worldbuilding in this one was definitely a ten out of ten.

25. THE CAUTIOUS TRAVELLER'S GUIDE TO THE WASTELANDS by Sarah Brooks Set in an alternate reality in which a large swath of the Russian taiga has become infested with horrifying monsters and hallucination-inducing flora, this historical fantasy takes the reader on a train ride through a forbidding wilderness. I ended up liking this one even more than I thought I would.

26. A DAUGHTER OF FAIR VERONA by Christina Dodd What if Romeo and Juliet didn't die and, when their firstborn comes of age, Rosie's betrothal supper turns into a murder mystery? The answer to that question is this book.

27. THE UNWEDDING by Ally Condie Anything Ally Condie writes is an insta-read for me, and though I didn't always agree with some of the choices she made, I thought this concept was fantastic. 

28. THE NIGHT CIRCUS by Erin Morgenstern If I'm a few years late on ALL MY RAGE, I'm more than a decade late on this one. Still, I found it riveting, just as I'd been led to believe.

29. ONE OF US KNOWS by Alyssa Cole A psychological thriller set on a remote island estate in which the MC has dissociative identity disorder. I'm sure that sentence alone has piqued your interest, so I'll leave my description there:)

30. THE GRANDEST GAME by Jennifer Lynn Barnes This struck me as the book Ms. Barnes was trying to get to when she wrote THE BROTHERS HAWTHORNE, as it basically resets the concept. More tightly plotted than the original, this book gets back to its roots.

31. MEDICI HEIST by Caitlin Schneiderhan A YA historical adventure featuring--you guessed it--a heist.

32. KISSES, CODES, AND CONSPIRACIES by Abigail Hing Wen I found this YA thriller a little hard to take seriously, but I could see other readers being swept up in the adventure.

33. THE ROSE ARBOR by Rhys Bowen A multilayered historical mystery that really drew me in. I enjoyed this one a lot.

34. THE COLOR OF A LIE by Kim Johnson An important YA historical that taught me, among other things, that some homeowners associations were developed to institutionalize segregation even as it was being ruled unconstitutional by the Supreme Court.

35. MY SALTY MARY by Cynthia Hand, Brodi Ashton, and Jodi Meadows I'm a huge fan of the Lady Janies' work; somehow, though, I didn't realize that they were publishing a Mary series. Luckily, I spotted this one at my local library, so now I know. This irreverent continuation of the Little Mermaid's story imagines that, when Prince Eric decided to marry someone else, she was like, "Whatever. See you never, dummy."

36. EVERY TIME I GO ON VACATION, SOMEONE DIES by Catherine Mack This one was just as tongue-in-cheek as the title makes it sound. An irreverent murder mystery set around a book tour through Italy.

37. TWELFTH KNIGHT by Alexene Farol Follmuth This contemporary TWELFTH NIGHT retelling was everything I wanted it to be. Two student council members hate each other in real life, but when they start playing an online RPG together, how they feel begins to change. Too bad only one of them realizes who the other is.

38. LOOK IN THE MIRROR by Catherine Steadman Of all the thrillers and mysteries I read last year, this is one of the few I really remember. I thought the nonlinear storytelling really enhanced the plot, which went in a direction I wasn't expecting.

39. THE LOST METAL by Brandon Sanderson On Goodreads, this book is labeled "Mistborn #7," which is accurate, I guess, but doesn't really tell you what the story is about. Even calling it "Wax and Wayne #4" might be a bit misleading, as this series has evolved pretty dramatically over the course of its run time. That said, I think this book is a fitting conclusion for this era of the Mistborn world, as they're clearly on the cusp of intersolar travel (which, given that their planet has already been infiltrated by people from other worlds, probably means they're also on the cusp of interstellar travel).

40. REVENGE OF THE TIPPING POINT: Overstories, Superspreaders, and the Rise of Social Engineering by Malcolm Gladwell I'll give just about anything Malcolm Gladwell writes a try, and this fast-paced nonfiction read was a great follow-up to THE TIPPING POINT.

41. THE BRIAR CLUB by Kate Quinn This historical mystery was one of my favorite reads this year. You know from the get-go that there will be a murder at this all-female boarding house, but then the book rewinds several years and gives you the backstory on each of the occupants in turn. Though I didn't see the ending coming, I could look back and see how Ms. Quinn had set it up, which was brilliant, actually.

42. DALLERGUT DREAM DEPARTMENT STORE by Mi-Ye Lee I love k-dramas (who doesn't?!), so when I saw that this was a translation from a South Korean publication, I knew I had to pick it up. I didn't love it quite as much as the average k-drama I watch, but that might have been because I tend to stick to the more realistic ones and this was more fantastical.

43. SUCH CHARMING LIARS by Karen McManus I'd sum this thriller up as a heist gone wrong, which already makes this story feel unique, but what I loved about this book was all the relationships and how they changed and grew. Kat and Liam were stepsiblings for about forty-eight hours when they were little kids, so when they bump into each other at an old rich guy's birthday party, they're understandably surprised.

43. THE IMPROBABLE TALES OF BASKERVILLE HALL by Ali Standish As this reading list reveals, I'm reading less MG these days, but I still enjoyed this one. It's exactly what you'd want a boarding school mystery to be for eight- to twelve-year-old readers, especially if those readers also like some fantasy.

44. HOMEGOING by Yaa Gyasi An engrossing historical that spans centuries, this one stayed with me for a long time afterward.

45. THE BITTER END by Alexa Donne What do you get when you combine a snowed-in ski chalet, a school-sponsored senior trip, and a dead chaperone? THIS BOOK.

46. A SONG TO DROWN RIVERS by Ann Liang This book kind of blew me away. It was progressing in a fairly predictable way, and then the ending happened. I thought it elevated this story from an entertaining diversion to something much more meaningful. One of my favorite reads this year.

47. FOR SHE IS WRATH by Emily Varga A sweeping YA fantasy that could probably also be considered a YA romantasy. I thought it started kind of slow but picked up speed as it went on.

48. THE AUTHOR'S GUIDE TO MURDER by Beatriz Williams, Lauren Willig, and Karen White Three novelists who coauthor books together--even though they don't really like each other--go to a brooding Scottish castle to write and research their next book but end up embroiled in a murder investigation when the man who owns the castle, also an author (who they all happen to hate), turns up dead in his own tower. Given that this book was written by three novelists who coauthor books together, is it safe to assume that this is semiautobiographical?! ;)

49. HOW TO KNOW A PERSON: The Art of Seeing Others Deeply and Being Deeply Seen by David Brooks Of all the books I read last year, this is the one that changed me the most as a person. Basically, this book teaches you how NOT to be a self-centered conversationalist--which most people are by default--and why you shouldn't WANT to be a self-centered conversationalist. I practiced some of the skills I learned at a Christmas party last month, and it was incredible how much more in-depth my conversations got. Can't recommend this one enough.

50. THE CHRISTMAS CLASH by Suzanne Park My second Suzanne Park read of the year! Because I enjoyed THE DO-OVER so much, I decided to give this one a go to get more in the spirit. Though I didn't enjoy it quite as much as THE DO-OVER, it was still a fun read.

51. DEATH AT MORNING HOUSE by Maureen Johnson I LOVED Ms. Johnson's Truly Devious series, so picking this one up was a no-brainer for me. Though it didn't end up being my favorite of Ms. Johnson's books, I still enjoyed it. Her YA voice is truly inimitable.

52. THE TREASURE HUNTERS CLUB by Tom Ryan Set in a small town in Nova Scotia, this book pretty much has it all: buried treasure, long-lost heirs, and a down-on-her-luck author searching for her next idea. Oh, and killers--lots of those. I thought I had this one figured out, but then the author threw me for a loop, which delighted me immensely. I ended up liking this one even more than I thought I would.

Have you read any of these books, and if so, what did YOU think? And what books did I miss? Would love to hear your thoughts below!

Wednesday, December 18, 2024

Feedback on My Query?

My writing career has been taking a really circuitous path over the last couple of years, and unfortunately, there's still no end in sight. As such, I've been working on a new project and new query and would love to hear your thoughts.

Content warnings: mass shootings and suicidal ideation

Dear [Agent]:

It’s been five years since Roxy’s life fractured into Before and After, since her then-fourteen-year-old attempted suicide by cop. This is the lie they told, at least, to hide an even fouler truth, and now the weight has fractured them. She and her husband have divorced, she and her son have relocated, and they never, ever speak about that day, their very worst.

Until her son, who’s now a sophomore at the university, shows up on her townhouse’s doorstep on the eve of winter solstice. He was meant to spend the break in California with his father, but apparently, plans changed; now he’ll be going to an all-night party called The Longest Dark. Roxy’s suspicious of this change—her son’s a classic introvert and not spontaneous at all—but though she questions him at length, she can’t get Nathan to confess.

Roxy’s suspicions are confirmed when she discovers that her gun safe has been opened (broken into?) and her guns have disappeared. She tails him to the party venue, a vast entertainment complex floating, dreamlike, on a lake. Mid-search, a vision seizes her, and Roxy sees the party venue through the would-be shooter’s eyes. When shots break out and others flee, she stays behind to find her son, using her visions as a guide. But doubts creep in as time runs out. What if her son is not the shooter and these visions aren’t a gift? What if she’ll have to watch him die?

THE LONGEST DARK, not yet complete, is psychological suspense with complex mother-son dynamics and a speculative twist. I hope to find an agent who embraces the proposal and would like to have a say in how the manuscript takes shape.

I’m the author of four novels for discerning middle graders (read: they didn't sell that well): THE SOUND OF LIFE AND EVERYTHING (Putnam, 2015), DON’T VOTE FOR ME (Sourcebooks, 2015), EARTH TO DAD (Capstone, 2018), and THE MULTIPLYING MYSTERIES OF MOUNT TEN (Bloomsbury, 2019). I’m also the creator of #PitchMe, a curated pitch event that has allowed me to connect with editors at St. Martin’s Press and Sourcebooks, among several others.

Thank you for your time and especially your consideration.

I know I'm committing a faux pas by querying a manuscript that I haven't finished yet, but if I've earned anything as a four-time published author, I've decided I've earned this.

Thursday, October 24, 2024

#PitchMe Results + Feedback

Another year of #PitchMe is over, and our finalists killed it. Their pitches logged 84 total likes, several of which came from 2 additional agents who joined in on the fun. Here's a summary of the action:

#1 PB: DEAR MATH Anjanette Barr
#2 PB: BAD HAIRCUT Amy Nielsen
#7 PB: 42 FOLDS Anjanette Barr
#9 MG: ALEX BROOKSBY: BORN A THIEF Shannon Hassan, Amy Nielsen, Callie Hansen, Lindsay Auld
#10 MG: MERRYN ICEFALL AND THE DEEP Vicky Weber, Callie Hansen, Stefanie Molina-Santos, Andie Smith
#11 MG: SOS Michelle Hauck
#13 MG: GOOD NEWS FROM HIGHER GROUND Callie Hansen, Stefanie Molina-Santos
#15 YA: STORM, TEARS & STARLIGHT Vicky Weber, Shannon Hassan, Callie Hansen, Lindsay Auld, Michelle Hauck, Stefanie Molina-Santos
#16 YA: THANKS FOR WAITING Elisa Houot, Callie Hansen, Andie Smith
#17 YA: EVANGELINE AND THE HORRENDOUS UNDEAD Christina Lopez, Amy Giuffrida, Elisa Houot, Ann Leslie Tuttle, Lindsay Auld, Michelle Hauck
#18 YA: SANDALWOOD & ROSE Shari Maurer, Stefanie Molina-Santos
#20 YA: AN INVITATION TO THE BANGTAIL Shannon Hassan, Callie Hansen, Kristin Ostby
#21 YA: SEND RUDES Ann Rose, Jen Nadol
#22 A: THE BLOODHOPPER WIVES Kimberly Fernando
#23 A: A HEALTHY BABY Anjanette Barr, Jen Nadol
#24 A: GALVESTON GOTHIC Christina Lopez, Vicky Weber, Shannon Hassan, Amy Giuffrida, Ann Leslie Tuttle, Michelle Hauck, Jenna Jankowski, Kristin Ostby, Kimberly Fernando
#25 A: THE FORGOTTEN INN Elisa Houot, Ann Leslie Tuttle, Jenna Jankowski, Stefanie Molina-Santos, Ann Rose
#26 A: ORDINARY CRIME Anjanette Barr, Kimberly Fernando
#27 A: BEYOND THE PAGE Kimberly Fernando, Shannon Hassan, Amy Giuffrida, Elisa Houot, Amy Nielsen, Callie Hansen, Ann Leslie Tuttle, Lindsay Auld, Kristin Ostby, Andie Smith
#28 A: THE GIRL WITH BLOOD ON HER DRESS Kimberly Fernando, Vicky Weber, Elisa Houot, Lindsay Auld, Stefanie Molina-Santos
#30 A: DUST IN THE LIGHT Amy Giuffrida, Elisa Houot, Lindsay Auld, Michelle Hauck

In addition, we had two finalists drop out of #PitchMe after accepting offers of representation in the last couple of weeks, but luckily, we had two alternates waiting in the wings!

Last but certainly not least, one last thank-you and shout-out to Tara Shiroff and Melissa Trempe for all their hard work. You ladies are amazing! And to everyone who entered, thank you so much for entrusting us with your work. If you'd like feedback on your entry, you're more than welcome to respond to your original submission with a request for notes, and I promise to get back to you as soon as I can.

Wednesday, September 18, 2024

#PitchMe Finalists 2024

Without any ado, this year's #PitchMe finalists:

PB

J.L.'s 42 FOLDS
C.S.'s I AM JEWISH, I AM PROUD
S.H.'s ONIONS FOR BREAKFAST
S.M.'s CRAFTY & CLEVER: HOW FRANCES GLESSNER LEE TAUGHT POLICE TO OBSERVE
M.D.'s MOSQUITO IN A BURRITO
M.H.B.'s DEAR MATH

MG

A.T.'s THE GHOSTLIGHTS OF FROSTPROOF (magical realism)
W.W.'s ALEX BROOKSBY: BORN A THIEF (adventure mystery)
J.R.'s GOOD NEWS FROM HIGHER GROUND (contemporary)
C.L.'s PHOTO NEGATIVE (horror)
D.A.'s JAREN SILVERWING AND THE FORBIDDEN SPELL (fantasy)
S.B.'s SOS (historical adventure)

YA

M.M.W.'s THANKS FOR WAITING (contemporary romance)
J.O.'s AN INVITATION TO THE BANGTAIL (historical)
C.E.'s SEND RUDES (contemporary)
C.R.F.'s THE TAILOR OF BRIDEWATER BAY (historical horror)
A.M.'s EVANGELINE AND THE HORRENDOUS UNDEAD (contemporary fantasy)
V.S.'s SANDALWOOD & ROSE (historical Gothic fantasy)
J.W.'s STORM, TEARS & STARLIGHT (fantasy)
J.H.'s HORNED MOTHER, HUNGRY MOTHER, BRIDE OF THE WOODS (horror)

Adult

B.G.'s ORDINARY CRIME (cozy mystery)
M.B.'s DUST IN THE LIGHT (mystery)
J.M.'s THE FORGOTTEN INN (cozy fantasy)
H.D.'s SYMPHONY OF A HAUNTING (horror)
F.H.'s THE BLOODHOPPER WIVES (speculative thriller)
R.L.'s BEYOND THE PAGE (contemporary romance)
C.J.P.'s GALVESTON GOTHIC (historical Gothic romance)
J.E.W.'s THE GIRL WITH BLOOD ON HER DRESS (psychological thriller)
J.S.'s A HEALTHY BABY (book club)
D.C.'s THE HAPPY EVER AFTER HOUSE (paranormal romance)

Congratulations, finalists! We can't wait to get to work!

To all the other entrants, I'm so sorry. As a fellow writer, I know how much rejection hurts--and how much it makes you question yourself and your abilities. I wish I had more answers, but please believe me when I say I'm rooting for every one of you. Your stories have value because YOU have value, and I hope that, someday, you'll have an opportunity to share them with the world.

I'm hoping to offer feedback to everyone who entered #PitchMe once the agent round has wrapped on Thursday, October 24, but because I've got a few lines in the water right now, I can't commit to it just yet. Please check back in late October if you're interested; I'll definitely post something here and/or on Twitter if I'm able to provide that opportunity again.

Friday, September 13, 2024

What #PitchMe Agents and Editors Are Looking for This Year

First off, thank you, thank you, thank you for submitting to #PitchMe. I've now read ALL the entries, and you guys blew me away. But instead of sharing my thoughts on what worked well and what didn't, I thought you might benefit from hearing what agents and editors are looking for this year.

Next off, a few caveats:

  • Though I go out of my way to bring in editors and agents who are representative of the industry at large, they're obviously not everyone, which means these lists are *not* exhaustive.
  • Some of our agents and editors only told me which categories they were most interested in while others mentioned genres, so just because your genre doesn't appear doesn't mean I ignored your entry. I value variety in addition to good concepts and pitch-perfect voice and writing.
  • I've noticed over the years that #PitchMe agents and editors almost always end up liking things that weren't expressly on their lists, so don't read too much into these. Also, we had agents and editors who *weren't* #PitchMe agents and editors jump in and like pitches last year, and I wouldn't be surprised if the same thing happens this one.

We have 14 agents and 4 editors officially involved this year. Of these, 3 informed me that they're looking for PB, 8 said they're looking for MG, 14 are looking for YA, and 16 plan to browse adult.

Most agents and editors don't specify genres within PB (though one of our agents did say they were most interested in STEAM and SEL PBs this year). Here's what they said they're looking for in MG, YA, and adult:

MG
2 General/Contemporary
Historical
Magical realism
Fantasy
Nonfiction
Everything!

YA
3 Romance (keywords: contemporary, romantic comedy)
2 Contemporary
2 Historical
2 Fantasy (keywords: non-Western/non-Eurocentric, dark)
*Not* fantasy
*Not* horror
Horror
Magical realism
Gothic
Paranormal
Speculative
Humorous
Nonfiction

Adult
7 Mystery
6 Thriller/Suspense (including romantic)
5 Fantasy (keywords: non-Western/non-Eurocentric, dark, grounded)
5 Horror
4 Historical
3 Sci-fi
3 Romance
3 Commercial/Book club
2 Speculative
2 Paranormal (including romance)
Gothic
Women's fiction
Adventure
Nonfiction

It's worth noting that these lists look very different than they did last year. I don't remember all the details, but I'm fairly confident that thrillers topped *YA* last year (and are now nowhere to be found) and that historical and women's fiction were the most sought-after genres in adult.

Finalists announced next week!

Wednesday, September 4, 2024

Second Submission Window for #PitchMe 2024 Now Open

UPDATE: And that's a wrap! We ended up with 71 PBs, 39 MGs, 71 YAs, and 186 adults, for a total of 367 entries, a new #PitchMe record. Finalists will be announced on Wednesday, September 18. Thanks for entering!

Welcome to #PitchMe 2024! To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 4, at 10:30 a.m. EDT and closes half an hour later. (Note that most of the United States will still be on Daylight Time when #PitchMe takes place, which is why I've said 10:30 a.m. EDT. If you live somewhere that remains on Standard Time, please adjust accordingly.) The second submission window opens later that same day, Wednesday, September 4, at 10:30 p.m. EDT and closes half an hour later. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

7. Publishing professionals (i.e., anyone who is currently employed by an agency or publisher, including but not limited to agents, editors, and sales reps) MAY NOT ENTER #PITCHME. (Previously published authors MAY enter #PitchMe as long as that's their only previous or current connection to the publishing industry.) I know this sounds harsh, but publishing professionals have inside tracks to securing representation should they decide to try their hands at writing (because they can contact agent and editor friends directly, bypassing regular query channels to some degree), and I don't want someone who has no inside track to miss out.

For more information, including a timeline of events and a list of participating agents and editors, please check out this post. We can't wait to read your work!

First Submission Window for #PitchMe 2024 Now Open

UPDATE: The first submission window is now closed, but the second will open tonight at 10:30 p.m. EDT (which is 10:30 p.m. in New York). For your information, we've received 39 PBs, 22 MGs, 45 YAs, and 105 adults so far!

Welcome to #PitchMe 2024! To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 4, at 10:30 a.m. EDT and closes half an hour later. (Note that most of the United States will still be on Daylight Time when #PitchMe takes place, which is why I've said 10:30 a.m. EDT. If you live somewhere that remains on Standard Time, please adjust accordingly.) The second submission window opens later that same day, Wednesday, September 4, at 10:30 p.m. EDT and closes half an hour later. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

7. Publishing professionals (i.e., anyone who is currently employed by an agency or publisher, including but not limited to agents, editors, and sales reps) MAY NOT ENTER #PITCHME. (Previously published authors MAY enter #PitchMe as long as that's their only previous or current connection to the publishing industry.) I know this sounds harsh, but publishing professionals have inside tracks to securing representation should they decide to try their hands at writing (because they can contact agent and editor friends directly, bypassing regular query channels to some degree), and I don't want someone who has no inside track to miss out.

For more information, including a timeline of events and a list of participating agents and editors, please check out this post. We can't wait to read your work!

Monday, August 19, 2024

#PitchMe 2024

#PitchMe is back, and Tara Shiroff and I, along with Melissa Trempe, are ready to get to work. If you take what I love most about multi-agent query contests--mentoring great writers at wherever they happen to be on their publishing journey--and mash it up with a pitch fest, then you've basically got #PitchMe. Are you interested? Read on!

Here's the timeline:

September 4: The submission windows open
September 18: Selected submissions announced
September 18-October 22: Mentoring takes place
October 23: Revised Twitter pitches posted; agents (and editors!) like their favorites

Submissions

To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 4, at 10:30 a.m. EDT and closes half an hour later. (Note that most of the United States will still be on Daylight Time when #PitchMe takes place, which is why I've said 10:30 a.m. EDT. If you live somewhere that remains on Standard Time, please adjust accordingly.) The second submission window opens later that same day, Wednesday, September 4, at 10:30 p.m. EDT and closes half an hour later. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

7. Publishing professionals (i.e., anyone who is currently employed by an agency or publisher, including but not limited to agents, editors, and sales reps) MAY NOT ENTER #PITCHME. (Previously published authors MAY enter #PitchMe as long as that's their only previous or current connection to the publishing industry.) I know this sounds harsh, but publishing professionals have inside tracks to securing representation should they decide to try their hands at writing (because they can contact agent and editor friends directly, bypassing regular query channels to some degree), and I don't want someone who has no inside track to miss out.

Selections

I'll select 6 entries within each major category--PB, MG, YA, and adult--and up to 6 wildcards. I may pick 6 adults or 3 YAs and 3 MGs or just a single PB with those wildcards; it depends on what I know the agents are looking for and which submissions seem strongest.

Once I've finalized my picks, I'll e-mail the winning writers and announce the winning titles here and/or on my Twitter feed two weeks after the submission windows close. Then the real work will begin!

Mentoring

For the next roughly 5 weeks, the winning writers will revise their pitches, queries, and first pages with our help. You won’t be obligated to incorporate our thoughts, and the feedback we provide on your queries and first pages won’t actually be featured in the agent round itself. We just want to help you make your pitches, queries, and first pages the very best that they can be.

Liking

On Wednesday, October 23, I'll post the revised pitches ON MY TWITTER FEED for the agents (and editors!) to review. Here are the awesome agents who'll be reviewing your pitches:


Each like will count as a partial or full request based on the agents’ preferences. Agents will be able to review and like your pitches for at least 24 hours, at which point you’ll be allowed to submit your materials to all the agents who requested them. These likes represent serious interest in your project, so PLEASE DON’T ACCEPT AN OFFER OF REPRESENTATION BEFORE GIVING THE #PITCHME AGENTS AN OPPORTUNITY TO MAKE A COMPETING OFFER.

I've also enlisted the aid of some lurking editors. Their likes will also represent requests, but even if their publishers allow you to submit without an agent, I strongly recommend that you wait until you secure representation. A smart, savvy agent is worth their weight in gold, and I'm hopeful agents will be even more interested in your project if they know you've got an editor request (or two!) in your back pocket.


So get those pitches polished up and plan to e-mail them to me--with your queries and first pages--on Wednesday, September 4, at 10:30 a.m. or 10:30 p.m. EDT. We can’t wait to read your work!

Have a question? Ask below!