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Monday, November 27, 2023

When Hindsight Becomes Foresight

Spoiler alert: this blog post mentions infertility, depression, and suicidal ideation. I've tried to address these topics with sensitivity and authenticity, but if you need to skip this post for the sake of your own mental health, I completely understand.

About seven years ago, I decided it was time to have another kid. We already had three, but I'd thought for several years that our family wouldn't be complete until we had one more, and now the time finally felt right. My depression was under control, I'd stopped taking medication, and we'd moved closer to family. Plus, it felt like God was telling me the time was finally right. I was energized and hopeful.

I didn't get pregnant the first month, which wasn't weird, so it was fine. I didn't the second month, either--but my sister-in-law did. They announced their awesome news at a family gathering. I probably felt a little bad, but the women in my husband's family are notoriously fertile. It was fine. Completely fine.

I told my brother-in-law's wife that we were trying to conceive. She knew exactly how I felt. Though she and her husband didn't have trouble conceiving, she did have a hard time carrying pregnancies to term. We'd bonded before over our shared misery of having married into such a baby-come-easy family.

Then, a month or several later, she said she was pregnant, too.

This made me feel a little worse--or, you know, maybe a lot worse. I tried to be happy for her, but I wasn't, not at all. Now I was an awful person in addition to *not* pregnant.

This was sometime in the winter, which was colder, snowier, and generally more miserable than my last ten winters had been. I'm sure this had something to do with my worsening depression, but I was too far gone to make that logical connection, and my depression quickly spiraled into suicidal thoughts. Church was soul-suckingly bad, and family gatherings were worse. At least my *other* brother-in-law's wife had no bun in the proverbial oven and showed no signs of wanting one. We didn't talk as much, but I decided we were tight, on the same side, and all of that.

Until--you guessed it--she announced that she was having her first baby.

There were now three babies coming to my husband's family, and not a single one was mine. Why was God rewarding them but somehow not rewarding me? Was I less righteous, less deserving? Then why had I felt so strongly that the time was finally right?

This was in, like, February, and my suicidal thoughts were pretty much out of control. After sitting down to talk about it with my husband's parents, I decided I would give myself two more months to conceive. The thought of giving God a deadline didn't sit quite right with me, but even I could tell that this was rapidly becoming a life-or-death situation. Two more tedious months passed, and I didn't get pregnant.

Still.

I was beaten. I was vanquished. Scheduling that doctor's visit felt like admitting defeat. I mean, I knew I had to do it--for myself, my family--but I didn't *want* to do it. And I didn't understand why God had let me wander recklessly so far down the wrong path.

The day of the appointment came. I told the doctor all my crap. (I've been doing authenticity since before it became cool.) Then she told me something wondrous, something I'd wondered about but never let myself believe: there was a type of medication that would *not* affect the fetus even if I took it straight through an entire pregnancy.

This, of course, was the solution, the detour I couldn't see from where I was firmly stuck. I started this new medication, and after working out the dosage over the next several months, I managed to sweet-talk my husband into trying to conceive again. (He was understandably gun-shy after the year that we'd endured.)

We got pregnant right away, and our Gummy Bear was born in April of 2018.

This wasn't the first time that, with the benefit of hindsight, I could see how Heavenly Father's plan was so much better than *my* plan, but I swore it would be the last. This ordeal had to have changed me. The next time I hit a roadblock, I couldn't spend weeks, months, or years working myself into a frenzy or shaking my fists at God. I had to hope. I had to trust. I had to let myself believe that God really does know what He's doing, that He's looking out for me, and that He knows how to do more with and make more of my life than I ever could alone.

I didn't know it then, but as it turned out, my next hard thing had already begun. EARTH TO DAD had sold to Capstone in February of 2017--right when, incidentally, I was going nuclear--and since then, perhaps you've noticed that I haven't sold a thing. *I* didn't notice right away, but it's become hard to ignore. I also had to leave an agent after he didn't connect with the new stuff I was writing, and the new agent I found had to medically retire in May earlier this year.

But honestly? I'm fine. Actually, completely fine. Do I wish I'd made a sale in the last six or seven years? Um, of course, yes, absolutely. But am I foaming at the mouth because my journey hasn't gone the way I wanted it to go? For once, thankfully, no. I still have some not-great days, but for the most part, I've been able to keep writing, writing, writing and give God the time and space to lead me down the proper road. I hope I'll know it when I see it, but until then, I'm content to keep waiting on the Lord. There are much worse ways to wait.

Monday, October 30, 2023

#PitchMe 2023 Results

Our most successful round of #PitchMe EVER came to a close last week, and once again, I'm delightfully worn out. All told, this year's pitches racked up 95 total likes, several of which came from 6 additional agents and an extra editor who jumped in to make requests over the course of the day. What's more, EVERY SINGLE ENTRY got at least one like this year! Here's a breakdown of the action:

#1 PB: WREN'S FRIENDS Amy Giuffrida, Saribel Pages
#3 PB: THE COPPER-COLORED MITTENS Michelle Jackson, Amy Giuffrida
#4 PB: THE BOY OF THE CINNAMON ISLAND Amy Giuffrida, Michelle Jackson
#5 PB: ECHO CAVE Ivan Taurisano
#7 MG: NO FINER THAN I AM Elisa Houot, Jynastie Wilson
#8 MG: WHAT LINGERS AT THE CRESCENT Alison Weiss, Saribel Pages
#9 MG: THE MARITIME DETECTIVE COMPANY: THE CURSE OF THE MERMAID'S PEARL Jynastie Wilson, Whitney Ross, Morgan Hughes, Alison Weiss, Lindsay Auld, Elisa Houot, Kristin Ostby
#11 MG: HOW NOT TO DIE IN A SWAMP Jynastie Wilson, Saribel Pages, Natalia Vázquez
#12 MG: TANGLED UP Michelle Jackson, Asia Harden, Amy Giuffrida, Natalia Vázquez, Jennifer March Soloway
#13 MG: THE ODD ONES Amy Giuffrida, Michelle Jackson, Kristin Ostby, Lindsay Auld, Vicky Weber
#14 YA: MURDERLAND Shari Maurer, Jynastie Wilson
#15 YA: DEEP ROOTS Joanna MacKenzie, Michelle Jackson, Jen Nadol, Jynastie Wilson, Whitney Ross, Andie Smith, Lindsay Auld, Jennifer March Soloway
#16 YA: A GOOD NIGHT TO SAY GOODBYE Vicky Weber, Asia Harden, Najla Mamou, Amy Giuffrida, Michelle Jackson, Whitney Ross
#17 YA: TERRA Asia Harden
#18 YA: LAWNMOWER LEAVING Jynastie Wilson, Christina Lopez
#19 YA: SECRETS DON'T STAY BURIED Elisa Houot, Joanna MacKenzie, Michelle Jackson, Asia Harden, Jen Nadol, Najla Mamou, Amy Giuffrida, Whitney Ross, Lindsay Auld, Jennifer March Soloway, Christina Lopez, Ann Leslie Tuttle
#20 YA: THE AMULET OF AMUN Ellen Goff, Whitney Ross
#22 A: BYSTANDER Andie Smith
#23 A: BETWEEN BREATHS Kimberly Fernando, Christina Lopez, Ann Leslie Tuttle
#24 A: THE LOST DIARIES OF VIVIAN SUMNER Vicky Weber, Joanna MacKenzie, Michelle Jackson, Jenna Jankowski, Amy Giuffrida, Kimberly Fernando, Whitney Ross, Morgan Hughes, Andie Smith, Lindsay Auld, Jennifer March Soloway
#26 A: THE DREAMS THEY CARRY Jen Nadol, Najla Mamou
#27 A: HEIST RACE Kristin Ostby, Christina Lopez, Joanna MacKenzie
#28 A: SWEETHEARTS OF THE OVERTHROW Vicky Weber, Joanna MacKenzie, Kimberly Fernando

In addition, our two other finalists didn't make it to the agent and editor round because they accepted offers of representation after being selected!

Last but certainly not least, THANK YOU. Whether you were an agent, an editor, an entrant, or a finalist, #PitchMe doesn't work without all of you. And #PitchMe REALLY wouldn't work without Tara Shiroff, my partner (pitcher?)-in-crime. Thanks again for all your insights and boundless enthusiasm.

Wednesday, September 20, 2023

#PitchMe Finalists 2023

Please note that we had several entries with very similar titles, so definitely make sure your title AND initials match before you get too excited:

PB

A.N.W.'s ECHO CAVE
K.M.'s SPACE KNIFE: THE TRUE STORY OF KING TUT'S DAGGER
E.E.'s THE COPPER-COLORED MITTENS
M.T.'s EILEEN COLLINS: DETERMINED, FOCUSED, FIERCE - NASA'S FIRST FEMALE PILOT & MISSION COMMANDER
S.G.'s THE BOY OF THE CINNAMON ISLAND
M.S.'s WREN'S FRIENDS
N.G.'s THE LOCKDOWN RULE

MG

C.L.'s TANGLED UP (contemporary)
M.B.'s WHAT LINGERS AT THE CRESCENT (horror)
E.M.'s THE SORCERER OF WESTMINSTER (historical fantasy)
R.B.'s NIGHT BECOMES NOON (contemporary)
T.B.'s THE ODD ONES (fantasy)
M.A.'s THE MARITIME DETECTIVE COMPANY: THE CURSE OF THE MERMAID'S PEARL (mystery)
J.K.'s THE PECULIAR BLOOMS OF POSEY AVENUE (magical realism graphic novel)
M.D.'s HOW NOT TO DIE IN A SWAMP (horror)

YA

B.R.'s A GOOD NIGHT TO SAY GOODBYE (historical mystery)
A.L.R.'s DEEP ROOTS (contemporary)
O.S.'s TERRA (fantasy)
M.R.'s MURDERLAND (thriller)
J.D.M.'s SECRETS DON'T STAY BURIED (thriller)
R.B.'s LAWNMOWER LEAVING (contemporary)
N.M.'s THE AMULET OF AMUN (historical adventure)

Adult

F.T.'s THE SELF-DESTRUCTION OF SYMPATHY D (speculative)
R.J.'s A LITTLE OVER THE TOP (contemporary romance)
L.F.'s BYSTANDER (thriller)
S.L.'s THE LOST DIARIES (Gothic mystery)
J.K.'s BETWEEN BREATHS (historical women's fiction)
D.L.'s THE DREAMS THEY CARRY (magical realism)
S.S.'s THE IMPERFECT STORMS (women's fiction)
S.P.'s HEIST RACE (thriller)

Congratulations, finalists! Tara and I can't wait to dig in and ultimately share these awesome projects with our agents and editors.

On the other hand, I know that this news comes as a huge letdown to the majority of you. I wish one writer's acceptance didn't always have to equal another writer's rejection, but in most cases, it does (and in most cases, I've been on the raw end of that equation, so I know how much it hurts). To try to mitigate the sting, I'm once again offering feedback to everyone who entered #PitchMe. I took notes on every entry and wrote down something positive about every single one (and usually a suggestion, too). If you don't find an agent between now and October 26 and would like to hear my thoughts on your pitch, query, and first page, you're more than welcome to respond to your original submission with a request for that feedback. I only ask that you hold off until Thursday, October 26, the day AFTER the agent round, so I can spend these next few weeks reviewing the finalists' work.

Tuesday, September 19, 2023

A Couple of Notes on This Year's #PitchMe Entries

First off, thank you, thank you, thank you for submitting to #PitchMe. This contest doesn't work if we don't get a hefty batch of super promising submissions, and once again, you guys delivered. We've finalized most of our picks, but this year's entries were so great that we're still dilly-dallying over the last couple of slots.

Overall Impressions

  • Maybe it's because I've gotten used to reading queries, but so many of the little things that stuck out to me last year didn't stick out to me this one. I didn't notice or care how you spelled my name (or didn't), whether you admitted you're a first-time novelist, or even how you closed your query. I scanned for title, word count, category, and genre, then dove straight into the summary. If the author's bio paragraph connected their lived experience to their book's subject matter, that was certainly a plus, but if a query happened to skip over that pesky bio paragraph, I honestly might not have noticed. The story itself was king.
  • Established, best-selling authors can write anything they want, and publishers will throw money at it, but break-in stories have to clear a much, much, much, much higher bar. Write what you love, they say, and let your passion sell itself, but a part of me wonders how much experience such authors have with not selling anything. If you've been at this for a while, if agents and editors compliment your writing but never give you the time of day, it may be because your concepts aren't standing out.

PB Notes

  • There were 84 submissions within this category.
  • My #PitchMe spreadsheet has two columns for note-taking on each entry: "Pros" and "Cons." Too often, I found myself typing "Good query" under "Pros" and "Concept may not stand out enough" under "Cons." It's clear that so many of you are seasoned writers who've learned how to craft pitch-perfect queries and even manuscripts, but if agents have seen your concept over and over again, it may not matter how strong your query or even your manuscript is. Tara agreed. She pointed out that several of these entries were exceptionally well-written--but about a dog or cat.
  • On the whole, Tara thought these entries were really, really strong. In more than one case, she decided not to pick an entry simply because she didn't think it needed #PitchMe's help.
  • She--and I--also shied away from rhyming picture books because they're hard to critique and really have to be pitch-perfect to catch an agent's eye. If the verse is on, it's ON, but if the meter is off by even a single syllable, the whole thing kind of falls apart.

MG Notes

  • There were 44 submissions within this category.
  • And more than half of them--28, to be precise--were some kind of fantasy. Throw in the horrors with fantastical elements, and the number would be well over 30. Nothing wrong with fantasy, of course, and I loved some of these entries, but MG in general and MG fantasy in particular has become quite tricky to sell, so your project really has to go above and beyond.
  • Maybe it's just the time of year, but I also came across enough ghost stories in these entries that I started to take note. Here again, some of these ghost stories were my very favorite entries, but it also made me wonder if our agents might be experiencing ghost-story fatigue. 
  • Lastly, multiple stories started on the first or last day of school, so those first pages had to work even harder to stand out.

YA Notes

  • There were 49 submissions within this category.
  • And quite a few of them were also fantasies. That said, there weren't nearly as many, but there were certainly enough to make me jot down a note.

Adult Notes

  • There were 84 submissions within this category.
  • And on the whole, I'd say that the adult submissions featured a better mix of genres. That said, experience has taught me that my fantasy and sci-fi tastes don't match up very well with what agents are looking for--which has everything to do with me and absolutely nothing to do with the amazing fantasy and sci-fi authors #PitchMe has featured in the past--so those ones really had to wow me to make it onto my longlist.

You may have done the math yourself, but of the 14 awesome agents and 5 lurking editors who will be checking in on #PitchMe, 6 will be looking for PB, 13 for MG, 13 for YA, and 11 for adult.

Please meet me back here tomorrow for the list of finalists!

Wednesday, September 6, 2023

Second Submission Window for #PitchMe 2023 Now Open

UPDATE: The submission windows are now closed. We received 84 PBs, 44 MGs, 49 YAs, and 84 adults for a total of 261 entries. Finalists will be announced on Wednesday, September 20!

Welcome to #PitchMe 2023! To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 6, at 10:30 a.m. EDT and closes at 11:00 a.m. EDT. The second submission window opens later that same day, Wednesday, September 6, at 10:30 p.m. EDT and closes at 11:00 p.m. EDT. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

For more information, including a timeline of events and a list of participating agents and editors, check out this post. We can't wait to read your work!

First Submission Window for #PitchMe 2023 Now Open

UPDATE: The first submission window is now closed, but the second will open tonight at 10:30 p.m. EDT. For your information, we've received 39 PBs, 29 MGs, 32 YAs, and 59 adults so far!

Welcome to #PitchMe 2023! To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 6, at 10:30 a.m. EDT and closes at 11:00 a.m. EDT. The second submission window opens later that same day, Wednesday, September 6, at 10:30 p.m. EDT and closes at 11:00 p.m. EDT. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

For more information, including a timeline of events and a list of participating agents and editors, check out this post. We can't wait to read your work!

Wednesday, August 9, 2023

Everything You Need to Know for #PitchMe 2023

#PitchMe is back for its third season, and Tara Shiroff and I are ready to get to work. If you take what I love most about multi-agent query contests--mentoring great writers at wherever they happen to be on their publishing journey--and mash it up with a pitch fest, then you've basically got #PitchMe. Are you interested? Read on!

Here’s the timeline:

September 6: The submission windows open
September 20: Selected submissions announced
September 20-October 24: Mentoring takes place
October 25: Revised Twitter pitches posted; agents (and editors!) like their favorites

Submissions

To enter, your manuscript must meet two conditions. First, it must be COMPLETE, NEVER-PUBLISHED, AND READY TO QUERY, and second, it must be in one of the following genres:

PB fiction and nonfiction (all genres)
MG fiction (all genres)
YA fiction (all genres)
Adult fiction (all genres, including commercial, literary, and/or upmarket but excluding erotica)

1. All submissions must be sent to kvandolzer(at)gmail(dot)com and include A TWITTER PITCH, A QUERY, AND THE FIRST 250 WORDS of your manuscript. (PB author-illustrators are also encouraged to share links to their online portfolios.) You must paste these items IN THE BODY OF YOUR E-MAIL; otherwise, I'll disqualify it.

2. Please submit ONLY ONE PROJECT. If you submit multiple projects, I'll only consider the first.

3. It would also really help if you INCLUDE YOUR CATEGORY--PB, MG, YA, OR ADULT--SOMEWHERE IN YOUR SUBJECT LINE, but it's not a requirement.

4. THERE WILL BE TWO 30-MINUTE SUBMISSION WINDOWS to (try to) accommodate work schedules and international entrants. The first submission window opens on Wednesday, September 6, at 10:30 a.m. EDT and closes at 11:00 a.m. EDT. The second submission window opens later that same day, Wednesday, September 6, at 10:30 p.m. EDT and closes at 11:00 p.m. EDT. Hopefully, you'll be awake and/or not at work during one of these 30-minute intervals!

5. Once you send me your submission, I’ll send you a confirmation e-mail with a summary of these rules.

6. Previous finalists may enter again AS LONG AS THEY HAVE A NEW MANUSCRIPT TO SUBMIT.

Selections

I'll select 6 entries within each major category--PB, MG, YA, and adult--and up to 6 wildcards. I may pick 6 adults or 3 YAs and 3 MGs or just a single PB with those wildcards; it depends on what I know the agents are looking for and which submissions seem strongest.

Once I've finalized my picks--with Tara’s help, of course--I'll e-mail the winning writers and announce the winning titles here and/or on my Twitter feed on Wednesday, September 20. Then the real work will begin!

Mentoring

For the next roughly 5 weeks, the winning writers will revise their pitches, queries, and first pages with my and Tara’s help. You won’t be obligated to incorporate our thoughts, and the feedback we provide on your queries and first pages won’t actually be featured in the agent round itself. We just want to help you make your pitches, queries, and first pages the very best that they can be.

Liking

On Wednesday, October 25, I'll post the revised pitches ON MY TWITTER FEED for the agents (and editors!) to review. Here are the awesome agents who’ll be liking your pitches:

Amy Giuffrida of Belcastro Agency
Whitney Ross of High Line Literary Collective

Each like will count as a partial or full request based on the agents’ preferences. Agents will be able to review and like your pitches for at least 24 hours, at which point you’ll be allowed to submit your materials to all the agents who requested them. These likes represent serious interest in your project, so PLEASE DON’T ACCEPT AN OFFER OF REPRESENTATION BEFORE GIVING THE #PITCHME AGENTS AN OPPORTUNITY TO MAKE A COMPETING OFFER.

I've also enlisted the aid of some lurking editors. Their likes will also represent requests, BUT EVEN IF THEIR PUBLISHERS ALLOW YOU TO SUBMIT WITHOUT AN AGENT, I STRONGLY RECOMMEND THAT YOU WAIT UNTIL YOU SECURE REPRESENTATION. A smart, savvy agent is worth their weight in gold, and I'm hopeful agents will be even more interested in your project if they know you've got an editor request (or two!) in your back pocket.


So get those pitches polished up and plan to e-mail them to me--with your queries and first pages--on Wednesday, September 6, at 10:30 a.m. or 10:30 p.m. EDT. We can’t wait to read your work!

Have a question? Ask below!

Thursday, April 13, 2023

One Thing I Enjoyed About EVERY Book I Finished in 2022: HarperCollins Edition

I said I'd come back and fill in these missing reviews once the HarperCollins strike ended, so here I am, a month or two late but hopefully no dollars short. I felt especially bad about omitting my reviews for Tiffany D. Jackson's titles, as I read both WHITE SMOKE and THE WEIGHT OF BLOOD last year and was blown away by both, so don't miss those ones below!

1. WHEN WE MAKE IT by Elisabet Velasquez I'd just started writing my first full-length novel-in-verse at this same time last year, so I picked this title up mostly for research purposes and got swept up in the story.

2. THE SEVENTH SUN by Lani Forbes Really vivid worldbuilding here (though I would have liked it even more if Ms. Forbes had differentiated her fantastical world from the Mesoamerican cultures she clearly drew from).

3. GREYTHORNE by Crystal Smith I really enjoyed Ms. Smith's debut, BLOODLEAF, and this sequel picked up right where the first book left off.

4. AN INCONVENIENT MINORITY by Kenny Xu This one really made me think. Though I didn't agree with all his points, they made me reevaluate my worldview as a human being of European, Asian, and Pacific Islander descent.

5. THE LITTLE BOOK THAT BEATS THE MARKET by Joel Greenblatt A quick, insightful read on stock market investing.

6. THE ONES WE'RE MEANT TO FIND by Joan He A beautiful and memorable YA dystopian.

7. THE YEAR OF SHADOWS by Claire Legrand Just the right amount of spookiness for an MG read.

8. LUCK OF THE TITANIC by Stacey Lee Ms. Lee's historicals are all lush and atmospheric, and this one was no exception.

9. SUGAR TOWN QUEENS by Malla Nunn Set in Durban, South Africa, this YA contemporary provided me a vivid peek into a culture that I previously didn't know much about.

10. BLACK WAS THE INK by Michelle Coles Told in alternating timelines, this YA novel combines a charged contemporary narrative with an in-depth look at the work of Black congressmen and aides during the Reconstruction era. Highly insightful and informative.

11. KNEEL by Candace Buford Football and social activism? Yes, please!

12. MANY POINTS OF ME by Caroline Gertler A poignant MG read about loss and grief. Bonus points awarded for the emphasis on art! 

13. THE TAMING OF THE DREW by Stephanie Kate Strohm Read and loved Ms. Strohm's LOVE A LA MODE a few years back and wanted to try another of her books. A fun summer read for all of you theater nerds (or for everyone who wishes they were a theater nerd!).

14. NIGHT MUSIC by Jenn Marie Thorne A lyrical YA contemporary romance featuring two musicians.

15. MAGIC UNLEASHED by Devri Walls An intense YA urban fantasy that takes place in two dimensions.

16. IN ANOTHER TIME by Jillian Cantor I'm a pushover for women's, historical, and speculative fiction, and IN ANOTHER TIME was a combination of all three. Read this one really quickly.

17. THE GIRL WHO FELL BENEATH THE SEA by Axie Oh A vivid retelling of a Korean folktale. One of my favorite reads this year.

18. AMARI AND THE NIGHT BROTHERS by B.B. Alston Harry Potter meets Men in Black, but with supernatural creatures. My thirteen-year-old and I both really enjoyed it.

19. THE UNSINKABLE GRETA JAMES by Jennifer E. Smith I'm a huge fan of Ms. Smith's YA contemporary romances, and this one held my interest, too.

20. I MUST BETRAY YOU by Ruta Sepetys A heartbreaking novel set during the Romanian Revolution of 1989. Beautifully written as always.

21. HEALING HEARTS by Sarah M. Eden A sweet historical romance between a Wild West doctor and the mail-order nurse he also thought would be his bride.

22. THE SPLENDOR by Breanna Shields I love it when a book's setting is so lush and well-developed that it feels like an extra character. The titular hotel in Ms. Shields's THE SPLENDOR is both these things and more.

23. THE SLOW MARCH OF LIGHT by Heather B. Moore A novelized account of an incredible true story. When an ordinary soldier agrees to become a spy in Cold War-era East Germany, he never dreams that he'll get caught--until he winds up in a Soviet prison.

24. ASHES ON THE MOOR by Sarah M. Eden Can you tell I've got a thing for sweet historical romances? :) This one is set in a small mill town in Victorian England.

25. FLIRTING WITH FATE by J.C. Cervantes A delightful YA contemporary romance with a dash of fantasy and a touch of genealogy.

26. THE RED PALACE by June Hur A YA historical mystery set in the capital city when Korea was still called Joseon. I could have read this in one sitting.

27. THE LADY AND THE HIGHWAYMAN by Sarah M. Eden Another sweet historical romance, and probably the best one I read last year. Elizabeth and Fletcher are wildly successful penny dreadful authors who end up dueling behind their pseudonyms while falling in love in real life.

28. THE GENTLEMAN AND THE THIEF by Sarah M. Eden A companion novel to THE LADY AND THE HIGHWAYMAN that features two new leads.

29. DEFY THE NIGHT by Brigid Kemmerer Loved the fractured and multifaceted relationships in this first book of a new YA fantasy series.

30. THROW LIKE A GIRL by Sarah Henning The book combined two of my favorite things: football and YA contemporary romance.

31. FAMILY OF LIARS by E. Lockhart Ms. Lockhart's prose never disappoints. If you liked WE WERE LIARS, you'll almost surely like this one, too.

32. HEARTBREAKERS AND FAKERS by Cameron Lund A quick, breezy summer read featuring a love rectangle and a pair of jilted exes who decide to start fake dating and inevitably fall in love.

33. THE MERCHANT AND THE ROGUE by Sarah M. Eden Another companion novel to THE LADY AND THE HIGHWAYMAN. I could read these all day!

34. HOLLOW FIRES by Samira Ahmed A heartbreaking but important read.

35. ENDURING FREEDOM by Jawad Arash and Trent Reedy An incredibly impactful story that's essentially a novelization of how the authors met in real life during the war in Afghanistan. I had the amazing opportunity to hear these two talk last summer, while Mr. Arash was still in the midst of fleeing his homeland after the United States withdrew and the Taliban took Kabul.

36. THE SILENCE OF BONES by June Hur Another YA historical mystery set in Korea when it was still called Joseon. The relationship between Seol and the police inspector she works for was particularly interesting.

37. TIPS FOR MAGICIANS by Celesta Rimington A bittersweet MG contemporary with a dash of fantasy and a healthy dose of hope.

38. THE FOREST OF STOLEN GIRLS by June Hur See THE RED PALACE and THE SILENCE OF BONES above. The setting in this one was especially atmospheric, and Ms. Hur clearly has a knack for coming up with titles.

39. I GUESS I LIVE HERE NOW by Claire Ahn I discovered k-dramas last year and must have been subconsciously drawn to other Korean stories because I randomly picked up a bunch at the library, too. I really enjoyed this book set in present-day Seoul.

40. KEEP YOU CLOSE by Karen Cleveland Found this one on clearance at my local grocery store! I don't read many adult thrillers, but this one kept me reading.

41. THOUGHTS & PRAYERS by Bryan Bliss Also found this one on clearance at my local grocery store! Tackling gun violence in a YA novel is a tall task, but Mr. Bliss took a unique approach by telling us what happened to three loosely connected survivors.

42. THE REVOLUTION THAT WASN'T: GameStop, Reddit, and the Fleecing of Small Investors by Spencer Jakab A most intriguing look at 2021's weird stock market machinations. Nonfiction usually takes me a few days longer to read, but I galloped through this book.

43. THE HISTORIAN by Elizabeth Kostova Very methodically paced, but as an homage to--and, in some respects, a continuation of--Bram Stoker's DRACULA, it was pretty much perfect.

44. YOU, ME, AND OUR HEARTSTRINGS by Melissa See Another YA contemporary romance featuring two musicians. I also appreciated the disabled representation.

45. THE ONE WHO LOVES YOU THE MOST by Medina I randomly picked up a handful of books last year featuring adopted MCs, but this was the only one written by an adopted author. As a fellow adoptee, I appreciated that.

46. THE OTHER SIDE OF PERFECT by Mariko Turk A YA contemporary about a rising ballerina who suffers a career-ending injury and auditions for her high school's musical to find new meaning in life. As a midlist author struggling to find her place, I related to Alina and the emotional journey she went on over the course of this book. One of my favorite reads last year.

47. THE HIKE TO HOME by Jess Rinker An engaging romp just off the Appalachian Trail to find a legendary castle. I think this is just the sort of vicarious adventure MG readers want to go on.

48. THE PAPER GIRL OF PARIS by Jordyn Taylor Told in alternating timelines, this YA novel combines a charming contemporary romance with a historical spy thriller. Both timelines ended up holding my attention (which is really hard to do!).

49. WHITE SMOKE by Tiffany D. Jackson I don't read a ton of horror, and the horror I do read is generally of the MG variety, so I started reading this with a fair amount of trepidation. I needn't have worried. Ms. Jackson nailed the tension and the escalating stakes without drifting into gore. I especially loved the twist!

50. SOLO by Kwame Alexander and Mary Rand Hess THE CROSSOVER will forever be one of my all-time favorite novels-in-verse, so I'll pick up just about anything Mr. Alexander writes, no questions asked. The fact that this novel-in-verse was about a young man on the hunt for his birth mom was a delightful surprise.

51. THE LOVE THAT SPLIT THE WORLD by Emily Henry This book is problematic from a representation standpoint, but it did hold my interest and compelled me to keep reading.

52. THE PRINCESS WILL SAVE YOU by Sarah Henning Another of my favorite reads last year. A gender-swapped Princess Bride? Yes, please!

53. KIKI KALLIRA BREAKS A KINGDOM by Sangu Mandanna MG fantasies based on Indian mythology are quite common these days, but I really liked how this one incorporated art.

54. THE QUEEN WILL BETRAY YOU by Sarah Henning The sequel to Ms. Henning's THE PRINCESS WILL SAVE YOU. If that one's concept reeled me in, this one's intricate worldbuilding and complex relationships kept me thoroughly hooked.

55. RIVALS by Katharine McGee The third installment in Ms. McGee's American Royals series. Am I aware these books are essentially soap operas? Absolutely, yes. Will that make me stop reading them? Absolutely not.

56. THE KING WILL KILL YOU by Sarah Henning A fitting conclusion to Ms. Henning's trilogy. Though the story did feel thinner (in all likelihood because Ms. Henning originally envisioned this as a duology), I was so wrapped up in the characters I couldn't have cared less:)

57. GALLANT by V.E. Schwab I'll always be a fan of Ms. Schwab's alluring prose, and though the pace of this book could be lovingly described as deliberate, I loved how much life she breathed into each of the book's settings.

58. THE HAWTHORNE LEGACY by Jennifer Lynn Barnes A fitting sequel to Ms. Barnes's THE INHERITANCE GAMES. Thank goodness Avery finally picks a boy in this one! :)

59. THE GIRL FROM EARTH'S END by Tara Dairman A sweet story about developing your talents to save a family member. I especially liked the lush fantastical world in which this novel was set.

60. THE WEIGHT OF BLOOD by Tiffany D. Jackson Saw this one at the library after reading WHITE SMOKE and immediately snatched it up. This book was creepy, heartbreaking, and incredibly brave. (And quite a bit bloodier than WHITE SMOKE, admittedly,  though I wouldn't say the descriptions were too graphic.) Maddy, the MC, turns out to be many things--including a mass murderer.

Would still love to hear your favorite reads and recommendations of 2022!

Tuesday, January 24, 2023

One Thing I Enjoyed About EVERY Book I Finished in 2022

Last year, I had a great time combing through my Goodreads list to come up with my top ten reads of 2021. This year, I decided to make a comprehensive list of one thing I enjoyed about EVERY book I finished in 2022. (Note that I've included every book I FINISHED, not necessarily every book I read. Sometimes I set books aside for one reason or another, which is such a subjective metric that I don't keep track of them.)

1. WHEN WE MAKE IT by Elisabet Velasquez I'd just started writing my first full-length novel-in-verse at this same time last year, so I picked this title up mostly for research purposes and got swept up in the story.

2. THE SEVENTH SUN by Lani Forbes Really vivid worldbuilding here (though I would have liked it even more if Ms. Forbes had differentiated her fantastical world from the Mesoamerican cultures she clearly drew from).

3. GREYTHORNE by Crystal Smith I really enjoyed Ms. Smith's debut, BLOODLEAF, and this sequel picked up right where the first book left off.

4. AN INCONVENIENT MINORITY by Kenny Xu This one really made me think. Though I didn't agree with all his points, they made me reevaluate my worldview as a human being of European, Asian, and Pacific Islander descent.

5. THE LITTLE BOOK THAT BEATS THE MARKET by Joel Greenblatt A quick, insightful read on stock market investing.

6. THE ONES WE'RE MEANT TO FIND by Joan He A beautiful and memorable YA dystopian.

7. THE YEAR OF SHADOWS by Claire Legrand Just the right amount of spookiness for an MG read.

8. LUCK OF THE TITANIC by Stacey Lee Ms. Lee's historicals are all lush and atmospheric, and this one was no exception.

9. SUGAR TOWN QUEENS by Malla Nunn Set in Durban, South Africa, this YA contemporary provided me a vivid peek into a culture that I previously didn't know much about.

10. BLACK WAS THE INK by Michelle Coles Told in alternating timelines, this YA novel combines a charged contemporary narrative with an in-depth look at the work of Black congressmen and aides during the Reconstruction era. Highly insightful and informative.

11. KNEEL by Candace Buford Withheld*

12. MANY POINTS OF ME by Caroline Gertler Withheld*

13. THE TAMING OF THE DREW by Stephanie Kate Strohm Read and loved Ms. Strohm's LOVE A LA MODE a few years back and wanted to try another of her books. A fun summer read for all of you theater nerds (or for everyone who wishes they were a theater nerd!).

14. NIGHT MUSIC by Jenn Marie Thorne A lyrical YA contemporary romance featuring two musicians.

15. MAGIC UNLEASHED by Devri Walls An intense YA urban fantasy that takes place in two dimensions.

16. IN ANOTHER TIME by Jillian Cantor Withheld*

17. THE GIRL WHO FELL BENEATH THE SEA by Axie Oh A vivid retelling of a Korean folktale. One of my favorite reads this year.

18. AMARI AND THE NIGHT BROTHERS by B.B. Alston Withheld*

19. THE UNSINKABLE GRETA JAMES by Jennifer E. Smith I'm a huge fan of Ms. Smith's YA contemporary romances, and this one held my interest, too.

20. I MUST BETRAY YOU by Ruta Sepetys A heartbreaking novel set during the Romanian Revolution of 1989. Beautifully written as always.

21. HEALING HEARTS by Sarah M. Eden A sweet historical romance between a Wild West doctor and the mail-order nurse he also thought would be his bride. 

22. THE SPLENDOR by Breanna Shields I love it when a book's setting is so lush and well-developed that it feels like an extra character. The titular hotel in Ms. Shields's THE SPLENDOR is both these things and more.

23. THE SLOW MARCH OF LIGHT by Heather B. Moore A novelized account of an incredible true story. When an ordinary soldier agrees to become a spy in Cold War-era East Germany, he never dreams that he'll get caught--until he winds up in a Soviet prison.

24. ASHES ON THE MOOR by Sarah M. Eden Can you tell I've got a thing for sweet historical romances? :) This one is set in a small mill town in Victorian England.

25. FLIRTING WITH FATE by J.C. Cervantes A delightful YA contemporary romance with a dash of fantasy and a touch of genealogy.

26. THE RED PALACE by June Hur A YA historical mystery set in the capital city when Korea was still called Joseon. I could have read this in one sitting.

27. THE LADY AND THE HIGHWAYMAN by Sarah M. Eden Another sweet historical romance, and probably the best one I read last year. Elizabeth and Fletcher are wildly successful penny dreadful authors who end up dueling behind their pseudonyms while falling in love in real life.

28. THE GENTLEMAN AND THE THIEF by Sarah M. Eden A companion novel to THE LADY AND THE HIGHWAYMAN that features two new leads.

29. DEFY THE NIGHT by Brigid Kemmerer Loved the fractured and multifaceted relationships in this first book of a new YA fantasy series.

30. THROW LIKE A GIRL by Sarah Henning The book combined two of my favorite things: football and YA contemporary romance.

31. FAMILY OF LIARS by E. Lockhart Ms. Lockhart's prose never disappoints. If you liked WE WERE LIARS, you'll almost surely like this one, too.

32. HEARTBREAKERS AND FAKERS by Cameron Lund A quick, breezy summer read featuring a love rectangle and a pair of jilted exes who decide to start fake dating and inevitably fall in love.

33. THE MERCHANT AND THE ROGUE by Sarah M. Eden Another companion novel to THE LADY AND THE HIGHWAYMAN. I could read these all day!

34. HOLLOW FIRES by Samira Ahmed A heartbreaking but important read.

35. ENDURING FREEDOM by Jawad Arash and Trent Reedy An incredibly impactful story that's essentially a novelization of how the authors met in real life during the war in Afghanistan. I had the amazing opportunity to hear these two talk last summer, while Mr. Arash was still in the midst of fleeing his homeland after the United States withdrew and the Taliban took Kabul.

36. THE SILENCE OF BONES by June Hur Another YA historical mystery set in Korea when it was still called Joseon. The relationship between Seol and the police inspector she works for was particularly interesting.

37. TIPS FOR MAGICIANS by Celesta Rimington A bittersweet MG contemporary with a dash of fantasy and a healthy dose of hope.

38. THE FOREST OF STOLEN GIRLS by June Hur See THE RED PALACE and THE SILENCE OF BONES above. The setting in this one was especially atmospheric, and Ms. Hur clearly has a knack for coming up with titles.

39. I GUESS I LIVE HERE NOW by Claire Ahn I discovered k-dramas last year and must have been subconsciously drawn to other Korean stories because I randomly picked up a bunch at the library, too. I really enjoyed this book set in present-day Seoul. 

40. KEEP YOU CLOSE by Karen Cleveland Found this one on clearance at my local grocery store! I don't read many adult thrillers, but this one kept me reading.

41. THOUGHTS & PRAYERS by Bryan Bliss Withheld*

42. THE REVOLUTION THAT WASN'T: GameStop, Reddit, and the Fleecing of Small Investors by Spencer Jakab A most intriguing look at 2021's weird stock market machinations. Nonfiction usually takes me a few days longer to read, but I galloped through this book.

43. THE HISTORIAN by Elizabeth Kostova Very methodically paced, but as an homage to--and, in some respects, a continuation of--Bram Stoker's DRACULA, it was pretty much perfect.

44. YOU, ME, AND OUR HEARTSTRINGS by Melissa See Another YA contemporary romance featuring two musicians. I also appreciated the disabled representation.

45. THE ONE WHO LOVES YOU THE MOST by Medina I randomly picked up a handful of books last year featuring adopted MCs, but this was the only one written by an adopted author. As a fellow adoptee, I appreciated that.

46. THE OTHER SIDE OF PERFECT by Mariko Turk A YA contemporary about a rising ballerina who suffers a career-ending injury and auditions for her high school's musical to find new meaning in life. As a midlist author struggling to find her place, I related to Alina and the emotional journey she went on over the course of this book. One of my favorite reads last year.

47. THE HIKE TO HOME by Jess Rinker An engaging romp just off the Appalachian Trail to find a legendary castle. I think this is just the sort of vicarious adventure MG readers want to go on.

48. THE PAPER GIRL OF PARIS by Jordyn Taylor Withheld*

49. WHITE SMOKE by Tiffany D. Jackson Withheld*

50. SOLO by Kwame Alexander and Mary Rand Hess Withheld*

51. THE LOVE THAT SPLIT THE WORLD by Emily Henry This book is problematic from a representation standpoint, but it did hold my interest and compelled me to keep reading.

52. THE PRINCESS WILL SAVE YOU by Sarah Henning Another of my favorite reads last year. A gender-swapped Princess Bride? Yes, please!

53. KIKI KALLIRA BREAKS A KINGDOM by Sangu Mandanna MG fantasies based on Indian mythology are quite common these days, but I really liked how this one incorporated art. 

54. THE QUEEN WILL BETRAY YOU by Sarah Henning The sequel to Ms. Henning's THE PRINCESS WILL SAVE YOU. If that one's concept reeled me in, this one's intricate worldbuilding and complex relationships kept me thoroughly hooked.

55. RIVALS by Katharine McGee The third installment in Ms. McGee's American Royals series. Am I aware these books are essentially soap operas? Absolutely, yes. Will that make me stop reading them? Absolutely not.

56. THE KING WILL KILL YOU by Sarah Henning A fitting conclusion to Ms. Henning's trilogy. Though the story did feel thinner (in all likelihood because Ms. Henning originally envisioned this as a duology), I was so wrapped up in the characters I couldn't have cared less:)  

57. GALLANT by V.E. Schwab Withheld*

58. THE HAWTHORNE LEGACY by Jennifer Lynn Barnes A fitting sequel to Ms. Barnes's THE INHERITANCE GAMES. Thank goodness Avery finally picks a boy in this one! :)

59. THE GIRL FROM EARTH'S END by Tara Dairman A sweet story about developing your talents to save a family member. I especially liked the lush fantastical world in which this novel was set.

60. THE WEIGHT OF BLOOD by Tiffany D. Jackson Withheld*

And that's my list! Which ones did I miss? Would love to hear your favorite reads and recommendations of 2022!

*I'm withholding my reviews of all HarperCollins titles in accordance with the wishes of their striking union members, but only if those books were HarperCollins properties at the time that they were published. When management starts negotiating and everyone goes back to work, I'll try to remember to come back and fill in these missing reviews.